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      <image:title>All Events - The Magic of Fiction: A Writing Workshop with Boise City Writer-in-Residence Don Zancanella</image:title>
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    <lastmod>2026-02-06</lastmod>
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    <lastmod>2026-03-31</lastmod>
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    <lastmod>2026-02-25</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2026-02-11</lastmod>
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      <image:title>All Events - Readings &amp;amp; Conversations: Alison Bechdel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2026-02-11</lastmod>
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    <lastmod>2026-01-28</lastmod>
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    <lastmod>2026-01-22</lastmod>
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    <lastmod>2026-02-05</lastmod>
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      <image:title>All Events - Free Drop-In Writing Workshop (virtual)</image:title>
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      <image:title>All Events - Free Drop-In Writing Workshop (online)</image:title>
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    <lastmod>2025-05-15</lastmod>
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    <loc>https://www.thecabinidaho.org/all-events/boise-city-writer-in-residence-12-11-24</loc>
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    <priority>0.5</priority>
    <lastmod>2024-12-05</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/all-events/journaling-mental-wellness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-07</lastmod>
    <image:image>
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      <image:title>All Events - Journaling for Mental Wellness with Kalee Schwarting</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-1-21-25</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-19</lastmod>
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    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-1-7-25</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-02</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/wita-writing-party-1-23-25</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-07</lastmod>
    <image:image>
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  <url>
    <loc>https://www.thecabinidaho.org/all-events/authors-toolbox</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-02</lastmod>
    <image:image>
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  <url>
    <loc>https://www.thecabinidaho.org/all-events/emma-donoghue</loc>
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    <priority>0.5</priority>
    <lastmod>2025-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/d9220ecc-57fb-43ab-9231-60b905d4b5c7/Emma+Donoghue+%283%29.png</image:loc>
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  </url>
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    <loc>https://www.thecabinidaho.org/all-events/boise-city-writer-in-residence-10-30-24</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-05</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/all-events/2024-annual-member-meeting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/824b7976-2d5f-49ff-8364-efee4c499cf5/2024+Annual+Member+Meeting+-+Event+Graphic.png</image:loc>
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    <loc>https://www.thecabinidaho.org/all-events/literary-trivia-10-2-24</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1691080537481-T348CTSFG38DOR89H316/Website+Event+Graphic+-+Lost+Grove+Literary+Trivia+-+9.13.23.png</image:loc>
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    <loc>https://www.thecabinidaho.org/all-events/fiction-and-film</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1724429920014-RS6PWWN67DTMD0BHGJAP/unsplash-image-CiUR8zISX60.jpg</image:loc>
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  <url>
    <loc>https://www.thecabinidaho.org/all-events/the-business-of-books</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-12</lastmod>
    <image:image>
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      <image:title>All Events - The Business of Books Workshop with Alli Frank</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/all-events/nicola-yoon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1715120139078-VX1IWEJV09JPQOFD7LZQ/Nicola_Yoon_Event+Graphic_with+text+%281%29.png</image:loc>
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    <loc>https://www.thecabinidaho.org/all-events/2023-wita-celebration-jejeb</loc>
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    <priority>0.5</priority>
    <lastmod>2024-07-31</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/2024-kegs-4-kause</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1685996690549-6SYJIRPPMP0H08OBG38C/Kegs+4+Kause_event+image.png</image:loc>
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    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/writer-in-residence-heidi-kraay-9-25-24</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1719334554540-LHHRN594UR97CTCOXHJ6/Heidi+Kraay+workshop+event+graphic+800x500.png</image:loc>
      <image:title>All Events - “Refilling Your Creative Well” Writing Workshop with Boise City Writer-in-Residence Heidi Kraay</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/writer-in-residence-heidi-kraay-8-14-24</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1719334554540-LHHRN594UR97CTCOXHJ6/Heidi+Kraay+workshop+event+graphic+800x500.png</image:loc>
      <image:title>All Events - “Refilling Your Creative Well” Writing Workshop with Boise City Writer-in-Residence Heidi Kraay</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/writer-in-residence-heidi-kraay-7-10-24</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1719334554540-LHHRN594UR97CTCOXHJ6/Heidi+Kraay+workshop+event+graphic+800x500.png</image:loc>
      <image:title>All Events - “Refilling Your Creative Well” Writing Workshop with Boise City Writer-in-Residence Heidi Kraay</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/traveling-writing-sprints</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/3aa989f0-092f-4f24-b83f-19592489ea55/Traveling+Writing+Sprints+Workshop+with+Michelle+Hazen.jpg</image:loc>
      <image:title>All Events - Traveling Writing Sprints Workshop with Michelle Hazen</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/tj-klune</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/891bdc11-1d40-45e5-9d1f-9fd8919de410/TJ+Klune_Event+Graphic+%281%29.png</image:loc>
      <image:title>All Events - An Evening with TJ Klune</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/sandeep-jauhar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1717191833277-GXLQJU50573MY6VENV97/Sandeep+Jauhar+Event+Graphic.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Sandeep Jauhar</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/c7663078-ee16-47d9-8195-d66729bc0946/Sandeep+Jauhar+Sponsors+for+email+%282%29.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Sandeep Jauhar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/luise-alberto-urrea</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/3bc99ae9-3d78-4d28-9f4c-dbb589176b6e/Luis+Alberto+Urrea+Event+Graphic.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Luis Alberto Urrea</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/be140699-3d4e-4030-aa31-5bc730c00a55/Ayana+Mathis+Sponsors.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Luis Alberto Urrea - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/millet-and-powers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1597c998-52c8-4013-a72b-fe683097de7a/Millet+%26+Powers+Event+Graphic.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Lydia Millet &amp;amp; Richard Powers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/be140699-3d4e-4030-aa31-5bc730c00a55/Ayana+Mathis+Sponsors.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Lydia Millet &amp;amp; Richard Powers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/geraldine-brooks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1754684123808-0J2C3GHBBQWK7TQVL7ZW/Geraldine+Brooks+800x500.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Geraldine Brooks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/be140699-3d4e-4030-aa31-5bc730c00a55/Ayana+Mathis+Sponsors.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Geraldine Brooks - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/tea-obreht</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/dea422f0-6b5a-4a4e-9081-3eb12d0163a5/Te%CC%81a+Obreht+Event+Graphic.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Téa Obreht</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/2d825a3a-904f-4687-8d43-9dbd9bdbe8ce/logo_library.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Téa Obreht - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/be140699-3d4e-4030-aa31-5bc730c00a55/Ayana+Mathis+Sponsors.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Téa Obreht - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/ira-glass</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/024bd57a-7778-49cf-b5e9-db11f03ac9d8/Ira+Glass_Event+Graphic.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Ira Glass</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/6ad13d58-35cc-4eb9-bb82-60246e0b4158/Horizontal-RGB-BSPR+%281%29.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Ira Glass - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1606885118097-FDK6VSNE9MZFQGPYEYR3/MCEF+Large+Logo+Black.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Ira Glass - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/be140699-3d4e-4030-aa31-5bc730c00a55/Ayana+Mathis+Sponsors.png</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations: Ira Glass - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/open-house-8-22-24</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1717195863714-D9IKWCBX6XRV1G9U9C4A/Capital+Campaign+Open+House+-+Event+Graphic.png</image:loc>
      <image:title>All Events - The Cabin’s Capital Campaign Open House</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/open-house-7-25-24</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1717195863714-D9IKWCBX6XRV1G9U9C4A/Capital+Campaign+Open+House+-+Event+Graphic.png</image:loc>
      <image:title>All Events - The Cabin’s Capital Campaign Open House</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/open-house-6-27-24</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1717195863714-D9IKWCBX6XRV1G9U9C4A/Capital+Campaign+Open+House+-+Event+Graphic.png</image:loc>
      <image:title>All Events - The Cabin’s Capital Campaign Open House</image:title>
    </image:image>
  </url>
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    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-5-4-21</loc>
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    <priority>0.5</priority>
    <lastmod>2021-05-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-4-20-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-4-6-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-3-16-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-3-2-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-2-16-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-2-2-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-1-19-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-1-5-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-12-15-20</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-11-17-20</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/patti-smith-digressions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1602274619857-U4O8KGSKER21J201FWZM/Patti+Smith+Facebook+Cover.png</image:loc>
      <image:title>All Events - SOLD OUT: Patti Smith's Digressions: A Workshop Examining The Artist and Her Influences w/Katie Fuller</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/good-conflict-fiction-workshop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604527241899-RW81POC2W78SMCVEUNFU/image-asset.jpeg</image:loc>
      <image:title>All Events - SOLD OUT! Good Conflict: A Fiction Workshop w/Natalie Disney</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/writing-your-screenplay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604527183405-XYKC7LQTFJD5ZEGCQ4EZ/image-asset.jpeg</image:loc>
      <image:title>All Events - SOLD OUT: Writing Your Screenplay: A Toolkit w/Tracy Sunderland</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/gala-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1606339399427-AEPAYMFV3Q65J9GKTLF8/Gala_Cover+Image+%282%29.png</image:loc>
      <image:title>All Events - The Cabin’s Annual Gala Fundraiser</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1593137896953-0W6OYLA6RCFRHNJU08R1/BOI_Horizontal2.jpeg</image:loc>
      <image:title>All Events - The Cabin’s Annual Gala Fundraiser</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/words-progress-administration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604952964250-44TGVAXNQREQJ2R6KHT4/roxane.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - Roxane Gay</image:title>
      <image:caption>Author of The New York Times best-selling essay collection Bad Feminist, as well as the short story collection Ayiti, the novel An Untamed State, the short story collection Difficult Women, and the memoir Hunger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604952931295-0IOOU2GNBC4Q1QWC1GW5/josh-ritter_wide-7dc361611b0aef3f6a8b3fa78b4806611f861111.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - Josh Ritter</image:title>
      <image:caption>Acclaimed novelist, musician, and Idaho-native, Ritter was named one of the "100 Greatest Living Songwriters" by Paste magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604952929245-9M7CRMRIIN253UNAP14S/cisneros.jpeg</image:loc>
      <image:title>All Events - Words Progress Administration - Sandra Cisneros</image:title>
      <image:caption>Beloved poet, short story writer, novelist, essayist, performer, and artist best known for her novel The House on Mango Street and her subsequent short story collection Woman Hollering Creek and Other Stories.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604952973597-R8YCS4IJEV3YAE2GNE51/Treisman--QA-George-Saunders02.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - George Saunders</image:title>
      <image:caption>Booker Prize-winning author of Lincoln in the Bardo and Tenth of December, Saunders’ writing has frequently appeared in The New Yorker, Harper's, McSweeney's, and GQ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604953125360-CCNFT5HQBHB8HQZU8RMI/miller.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - Madeline Miller</image:title>
      <image:caption>Bestselling author of Circe and The Song of Achilles, which won the Orange Prize for Fiction.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604955442048-7U0Y9S4IZIHDUXCMZ93X/russell_2013_hi-res-download3_1.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - Karen Russell</image:title>
      <image:caption>A novelist, short story writer, and MacArthur Foundation "Genius Grant" recipient, Russell’s debut novel, Swamplandia!, was a finalist for the 2012 Pulitzer Prize for Fiction.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604955433806-U6PKJQ4Y7RBEAIQ9FL0W/mccann.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - Colum McCann</image:title>
      <image:caption>Award-winning Irish author of seven novels and three collections of short stories, McCann’s most recent novel, Apeirogon, was published in February of 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604953056812-Z9H4SOKTA8CGGBULN0UK/Emily+Ruskovich+%28c%29+Boone+Rodriguez.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - Emily Ruskovich</image:title>
      <image:caption>A Gem State native, Ruskovich’s bestselling debut novel, Idaho, won the 2019 International Dublin literary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604956464487-VIKHESG6FFPTB3UDMX1L/Malia-Collins.png</image:loc>
      <image:title>All Events - Words Progress Administration - Malia Collins</image:title>
      <image:caption>Idaho’s current Writer-in-Residence, Collins is the author of two Hawaiian children’s books and her short fiction and nonfiction has appeared in a number of literary magazines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604952932045-302QF7DEMVDFISGXO9EX/bender.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - Aimee Bender</image:title>
      <image:caption>Known for her surreal stories and characters, Bender is the celebrated author of the novel An Invisible Sign of My Own and of the collections The Girl in the Flammable Skirt and Willful Creatures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604953031846-VOYCF4GJ7FEK0NQZ4MMU/groff.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - Lauren Groff</image:title>
      <image:caption>National Book Award nominated novelist and short story writer, Groff has written three novels and two short story collections, including Fates and Furies, Arcadia, and Florida.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604956427476-N9G9MIEI5XYY3H114XQX/E%2BPittinos%2B-%2Bphoto.jpeg</image:loc>
      <image:title>All Events - Words Progress Administration - Emily Pittinos</image:title>
      <image:caption>An associate editor for Poetry Northwest, Pittinos’ work has appeared in Michigan Quarterly Review, New England Review, Ploughshares, and elsewhere. Her debut collection, The Last Unkillable Thing (University of Iowa Press, Spring 2021), is a winner of the 2020 Iowa Poetry Prize.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1604953006899-RVA0E54R32WCIOVGGKU6/Kathy-Reichs.jpg</image:loc>
      <image:title>All Events - Words Progress Administration - Kathy Reichs</image:title>
      <image:caption>The New York Times bestselling author and forensic anthropologist behind the hit Fox series Bones, Reichs is the author of more than 20 novels, including the popular 'Temperance Brennan' series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1603231914899-MZ5N4WSEJWGDMB9QFW4E/MCEF+Large+Logo+Black.png</image:loc>
      <image:title>All Events - Words Progress Administration</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/what-makes-a-good-scary-story</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596751728652-BVYFSJSMLVYJNGZOJSW7/image-asset.jpeg</image:loc>
      <image:title>All Events - What Makes a Good Scary Story?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/the-writers-notebook</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596751023261-16VOH59JJY6ZWSYTSS1E/The-Writers-Journal-Image-1.jpg</image:loc>
      <image:title>All Events - The Writer’s Notebook</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/reading-and-writing-poems</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596750028939-3NX1MPFDOCB5Q4MJWPH1/image-asset.jpeg</image:loc>
      <image:title>All Events - Reading and Writing Poems: A Guide</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/reading-conversations-with-madeline-miller</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596748278522-0R3NEOU1SKQDJ69LK08B/Madeline+Miller+Square+Headshot.png</image:loc>
      <image:title>All Events - NOW ONLINE! Readings &amp;amp; Conversations with Madeline Miller</image:title>
      <image:caption>7:30 PM</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596748048616-6ZF5LJYJ25ORH6V50BW8/Circe.jpg</image:loc>
      <image:title>All Events - NOW ONLINE! Readings &amp;amp; Conversations with Madeline Miller</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596748141115-1P2UCH2S4K6SXVQTS6ZC/song-of-achilles.jpg</image:loc>
      <image:title>All Events - NOW ONLINE! Readings &amp;amp; Conversations with Madeline Miller</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1593137896953-0W6OYLA6RCFRHNJU08R1/BOI_Horizontal2.jpeg</image:loc>
      <image:title>All Events - NOW ONLINE! Readings &amp;amp; Conversations with Madeline Miller</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/writers-in-the-attic-apple-launch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596145374328-SR7AUHSWUYWBSMKKEWQP/20+WITA+Apple+Cover+Half.jpg</image:loc>
      <image:title>All Events - Writers in the Attic: Apple Book Launch Party</image:title>
      <image:caption>7:30 PM</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-12-1-20</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-11-3-20</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-10-20-20</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/all-events/free-drop-in-writing-workshop-10-6-20</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1590880809841-MW4QY59NG65FJYEUWECH/free-drop-in-writing-workshops.jpg</image:loc>
      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
    </image:image>
  </url>
  <url>
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      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
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      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
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      <image:title>All Events - Readings &amp;amp; Conversations with Laila Lalami</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1593137896953-0W6OYLA6RCFRHNJU08R1/BOI_Horizontal2.jpeg</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations with Laila Lalami</image:title>
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    <loc>https://www.thecabinidaho.org/all-events/reading-conversations-with-james-mcbride</loc>
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    <lastmod>2021-02-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1593137896953-0W6OYLA6RCFRHNJU08R1/BOI_Horizontal2.jpeg</image:loc>
      <image:title>All Events - Readings &amp;amp; Conversations with James McBride</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1593137896953-0W6OYLA6RCFRHNJU08R1/BOI_Horizontal2.jpeg</image:loc>
      <image:title>All Events - NOW ONLINE! Readings &amp;amp; Conversations with Patti Smith</image:title>
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      <image:title>All Events - NOW ONLINE! Readings &amp;amp; Conversations with Barbara Kingsolver</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1593137896953-0W6OYLA6RCFRHNJU08R1/BOI_Horizontal2.jpeg</image:loc>
      <image:title>All Events - NOW ONLINE! Readings &amp;amp; Conversations with Barbara Kingsolver</image:title>
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      <image:title>All Events - Readings &amp;amp; Conversations with Mary Roach</image:title>
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      <image:title>All Events - Readings &amp;amp; Conversations with Mary Roach</image:title>
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      <image:title>All Events - Readings &amp;amp; Conversations with Mary Roach</image:title>
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      <image:title>All Events - Readings &amp;amp; Conversations with Mary Roach</image:title>
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      <image:title>All Events - Free Drop-In Writing Workshop</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Read Entries - 2025 theme: KNOT - Knots mark a coming together or a pulling apart. Sailors, like storytellers, use knots to navigate, set pace, and keep lines—whether of rope or relationships—from slipping away. Knots bind and create something new, serving as both tools and decorations. They can be a tangled mess or a source of great strength. Knots in our muscles tighten, capturing our attention and crying for a friend’s touch, while knots in our stomachs constrict, holding our emotions and demanding courage. This contest invites you to explore the knots in your own story. Write about the knots that keep your world together, or those that tether you to the past. Discover the beauty in tension, the significance in binding, and let your words weave something strong enough to hold. What is KNOT to you?</image:title>
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      <image:title>Read Entries - 2024 theme: TART - Tart packs a punch. A tangy dessert or a saucy strumpet, tart is sharp and bold, leaving an unforgettable impression on anyone who encounters it. It can be both playful and biting, with a mischievous twinkle in its eye. When you hear the word tart, you can almost taste the zesty burst of flavor, the perfect balance of sweet and sour. Beyond its culinary connotations, tart is a word that embodies confidence and sass, daring to stand out from the crowd and make a statement. Tart is Eve sinking her teeth into the forbidden fruit, the side-eye gifted to the audacious, the click of a tongue, and the straightening of a spine. What is TART to you?</image:title>
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      <image:title>Read Entries - Cambia: A Student Anthology - 2024 - Enjoy the 2024 edition of Cambia, the anthology of the most outstanding work from The Cabin’s Writers in the Schools program.</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-megazine-summer-2024</loc>
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    <priority>0.5</priority>
    <lastmod>2024-12-12</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-camp-fire-summer-2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-12</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-camp-fire-summer-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-12</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-megazine-summer-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-12</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-camp-fire-summer-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-19</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-megazine-summer-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-19</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2023-theme-three</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1692907823990-HEZ9Z9KQV3HNPHZDFGCQ/WITA_Three_Cover_2023.png</image:loc>
      <image:title>Read Entries - 2023 theme: THREE - You might picture a trio of little pigs, if you’re a child. The Holy Trinity, if you’re a Christian or a Cajun chef. (The Holy Triumvirate, if you’re a Rush fan.) We speak in a language of three - person, place, thing. We interact with three on a daily basis. Three acts in a play or film, three branches of government, the three R’s of education. We naturally group characters into three. Blind mice and musketeers, stooges and tenors. Three is a forgotten turn, an extra wheel, the last resort. Where does the third door on the left lead? Who’s the third man, standing in the back who doesn’t say a word? What’s the third option? Why were there three matchsticks at the foot of the bed? It’s a mystery, a squadron, a psalm, a love triangle. What is THREE to you?</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/read/cambia-a-student-anthology-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/7986461d-0905-4256-b7b9-5a5123a33d2f/Cambia_2023_Cover.png</image:loc>
      <image:title>Read Entries - Cambia: A Student Anthology - 2023 - Enjoy the 2023 edition of Cambia, the anthology of the most outstanding work from The Cabin’s Writers in the Schools program. Want to order additional copies? Click here.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2022-theme-moon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/9d3960b9-48ac-4173-8368-885ed02c9414/WITA%2B2022%2BMoon.png</image:loc>
      <image:title>Read Entries - 2022 theme: MOON - Pack up your crackers and picnic blanket, because for WITA’s 2022 theme, the sky is the limit. This omniscient, endless supply of cheese and nightlight to the stars is the friend of swooning lovers and the enemy of horror movie monsters, a golden egg of Space Force, but also butts in a school bus window and the captive of Jimmy Stewart’s lasso. As Frank likes to sing it, Fly Me to the Moon, with stories and poems 1500 words or less loosely related to our theme, Moon.</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/read/cambia-a-student-anthology-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1652205636430-LRS9975WGSSODZMBXHBT/Cambia_2022_Cover.png</image:loc>
      <image:title>Read Entries - Cambia: A Student Anthology - 2022 - Enjoy the 2022 edition of Cambia, the anthology of the most outstanding work from The Cabin’s Writers in the Schools program.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/coin-the-story-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/02597c12-3672-4eeb-b06e-f4c8b6a33371/COIN_1_Meg_Freitag_300x300.png</image:loc>
      <image:title>Read Entries - COIN 2022 - Meg Freitag</image:title>
      <image:caption>I had set them each a place at the table with the rest of us, but the ballerinas didn’t want to hang around for dinner. They were tired, they said, from the performance. They didn’t want to eat beef wellington and smile and politely hold their cloth napkins up to their mouths while they chewed, after someone asked them a question. They wanted to take their baths and eat their Pop-Tarts and drink their strawberry milks. At first, I was disappointed. They’re old enough now to hold conversations and I’d like them to get some practice. I don’t want them being empty in the head forever. Not for my sake, for theirs. The older I get, the more I appreciate having thoughts. I wish I had even more thoughts now, that I’d started younger. But I could see they were suffering in a minor way, standing there at the center of the room in their minimal beige outfits. Their white and grey makeup had streaks in it from sweat. The stage lights we’d rented admittedly might have been a bit much. They’d heated up the room enough that we were all perspiring, even those of us who’d just been standing still. The ballerinas shivered visibly in their damp clothes, which were not fit to throw jackets or sweaters over. The wings they wore were large and cumbersome. I’d spent a small fortune on them. Genuine feathers. For a moment, I could feel what the ballerinas felt. It happens to me sometimes, like catching a breeze. They were exhausted, it was true. And cold. And felt uncomfortable among the guests, most of whom they’d never met. To mingle well is a delicate and difficult art, like ballet. I allowed the ballerinas to take their leave; they each gave me a little curtsy before turning to go. I watched them climb the long staircase, one after the other. It wasn’t always easy to tell them apart, especially from behind. The guests watched them, too, as though it were a continuation of the performance. Their white footless stockings all stopped mid-calf on their long ballerina legs. It was strange sometimes to see them not dancing. There was little else they did with grace. Especially with their pointe shoes still on, and without music to animate them. They looked odd doing the things that regular, everyday people do. It was like when rabbits try to walk. I wondered what the guests were thinking. I get some pleasure out of imagining what others are thinking. I imagined they were thinking We’re hungry, which was fair. The performance had gone on longer than anyone expected. Once the ballerinas get dancing, it’s hard to get them to stop. They become impervious to time. Or it’s possible time just moves slower for them then, and they don’t realize how long we’ve all been standing there, consumed by the excruciating beauty of it. Wanting desperately to move around ourselves but not knowing how. I rang a tiny gold bell and the guests moved into the dining room and sat. There were holes in the seating arrangement, where the ballerinas were meant to go. The short women whom we pay to bring the food out at parties brought the food out, wearing their black dresses and their black gloves up to their elbows. The dark eye makeup they wore made them look sleepy and sad. I adored them, suddenly. They were a vision. I couldn’t have imagined a better evening—even if the ballerinas had opted to dine with us, I’m not sure it could have possibly improved my view. And now we could even talk about them—their performance—like they weren’t here. Because they weren’t. The chef had outdone himself, as usual. Every dinner tends to be more lavish than the last.</image:caption>
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      <image:title>Read Entries - COIN 2022 - Mary Pauline Lowry</image:title>
      <image:caption>There was a clink of silverware against fine china. A sense of nervousness surged through me as it always did before guests took their first bites. After tonight’s performance these donors would hopefully give a total of twelve million dollars for the new performing arts space. Those funds might dry up if the beef wellington was cooked medium, if it didn’t melt in their mouths.  But Randolph Hurstenberg, great-grandson of the founder of an infamous Wall Street chemical company forked a chunk into his mouth and sighed audibly. It was a sigh of great, almost sensual pleasure. The sigh said, “This beef wellington is medium-rare, leaning toward, rare, perfection.” A sense of relief flushed through me with such force I realized I’d been nervous all night.  Betty Van Slot said, “Those girls. Exquisite. Imagine it. Being able to float across the floor on one’s toes.” Betty Van Slot had perhaps once been a slender agile girl. Now she had the tough, dried out look of a middle-aged person who eats too little and exercises too much. But there was no grace to her form. She had none of the ballerinas’ dewiness. I imagined her stretching out her hamstrings each night with a yoga strap. Still, it would be a wonder if she could do a high kick. From upstairs I heard a yelp and then a ferocious crash and a volley of screams. After the performance, before their retreat, the ballerinas had been nearly silent. It was a shock to hear their vocal cords put to such piercing use. I prayed for nothing more than a minor scuffle over the last cherry poptart. Dear God let it be nothing more.  Nothing worse. My wine glass was halfway to my lips and I forced myself to take a slow sip. I set the glass down gently and said, “Girls! What they do get up to.”  But inside I felt afraid.  As a child, I had loved the game Clue.  The singing telegram girl shot by Ms. Scarlet. Mrs. Ho, the cook, stabbed in the back with a dagger by Mrs. Peacock. The motorist bashed on the head with a wrench by Colonel Mustard. The ballerinas all looked alike to me. But to each other they were entirely distinguishable.  They could identify each other with nothing more than a bit of toe shoe, the edge of an ear, the set of a bun to go on. To the ballerinas, each inch of each of them was entirely unique. And with such intimacy and knowledge came animosities, enmities, jealousies petty and deserved that the uninitiated like myself could not imagine. “It sounds like they are getting their yah-yahs out,” I said. “Which they deserve after all their hard work tonight. But I think I’ll check on them, all the same.” I pushed back my chair and I stood and made my way up the stairs, away from the eyes on my back as if I was perhaps some extension of the ballerinas’ performance.</image:caption>
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      <image:title>Read Entries - COIN 2022 - Chris Mathers Jackson</image:title>
      <image:caption>A hush followed me as I climbed the stairs slowly, deliberately. For the time, no noise came from above. Had they made their own peace? Perhaps divided the last poptart into pieces? Soothed the flaring temper of one among them who felt slighted, excluded? Or had the ballerinas moved past the ferocity of a physical attack to a more subtle, whispered one? I hoped the delicacy of the beef wellington would soon distract the dining guests. “I do hope all is well,” I heard someone behind me say in high-pitched disdain. “I know this evening’s success means so much to a great number of individuals.” I imagined the leer on their faces, the delightful curiosity in their eyes as they turned to their neighbors to speak in murmurs, excited by the ballerinas’ continued performance. I breathed out audibly, relieved I was no longer seated among them.  Oh, let this be nothing. Let it be something humorous, something that will entertain those affluent people dining below. Something to reinforce the ballerinas’ mystique. I raised my chin ever so slightly and reached to lightly hold the rail in my ascent. I had been trained all my life to appear calm, in control, even when cold sweat glistened under my polished hair threatening to unnerve me. My foot fell silently on a small landing midway up the large spiraling staircase and I paused. The window to my right looked out over the extensive gardens alive with scent and color. A breeze moved through the delicate blossoms–pale pink, gossamer white, wine red–adorning the many flowering trees without. Petals rose and fell dancing in unseen currents with the same elegance the ballerinas had embodied less than an hour before.  Despite the garden reverie, I jumped slightly as glass shattered above me. A slamming door echoed through the cavernous stairway ensuring every conversation paused below, every head turned. My attention retreated from the mesmerizing artfulness of the garden and the evening breeze, returning to this matter. As quickly as my formal footwear allowed, I hurried up the stairs. “Why me?” I silently asked. “Why am I the one left stewarding this legacy?”  The few bites of beef wellington I had managed to eat rose in my throat and mingled with the final sip of wine I had forced myself, for appearance sake, to swallow. I reached the upper floor with a silent curse.</image:caption>
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      <image:title>Read Entries - COIN 2022 - Natalie Disney</image:title>
      <image:caption>Something–someone–darted from the dressing room at the end of the hall, a flash of chalky white. I halted, peeking around the banister. My cheeks burned, as if the stage lights had choked back to life, stunning me with an electric blue heat.  One of the ballerinas had come outside to guard the heavy door. It was the little dancer with the chapped ring around her mouth, reddened more by strawberry milk–she’d performed with a particular deficit of charm. She was shaking her head again and again, as if trying to loosen an unwanted thought.  Unwanted thoughts. I had them myself, from time to time.  Suddenly I wanted to run back down the staircase, to be enveloped by the gloved arms of one of the short caterers; to find safety in her sleepy dark eyes, to be fed and cared for and called princess. Beef wellington–oh, hadn’t it been my choice? Hadn’t it called to mind a hundred dinners in that very garden, fragrant late evenings in long-ago summers, when grandfather would sing along with the string quartet, and we never had to ask anybody else for their money? “Are you alright, dear?” I asked, approaching the ballerina as if she were fast asleep. She did not seem to register my presence, but went on shaking her head, her soft bangs lolling against her forehead. “Is everything alright?” This time she stilled, her eyes meeting mine with dread. “You should go look,” she said, then sucked in her lower lip. I moved closer to the door, gesturing for the handle. “Won’t you let me in, then?” “Go look,” she repeated. As she raised a finger toward the terrace window overlooking the garden, it occurred to me that she was no longer wearing her wings.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/d535d682-9290-4a5d-8299-d6ca49890760/COIN_5_Tracy_Sunderland_300x300.png</image:loc>
      <image:title>Read Entries - COIN 2022 - Tracy Sunderland</image:title>
      <image:caption>Unwanted thoughts, yes. She imagines what she’ll see if she looks out of the terrace window. It’s too gruesome to consider. At least, not yet. She pushes past the chapped-lip, wingless ballerina and wrenches open the ornate dressing room door.  She sees but can’t quite process the world unfolding before her. It would have been easier if there had been a dead body, a Mr. Mustard holding the knife.  She watches the ballerinas dance -  a slow, languid improvisation. They wear their wings, their beige-clad bodies streaked with cherry-red tart filling..or is it blood?  Every angel is terrible, she thinks, as she watches the gossamer girls move and sway, touch and then push away. They seem caught in a strange, dangerous ecstasy that doesn’t include her. She shivers: it’s cold, suddenly. The window curtains flutter, affirming that a window is wide open, letting in the stiff night air.  She gazes at the open window then back to the young women - these girls she can now distinguish in all their tender, sharp-edged fragility. In their bloody, somehow holy, reverie.  She is awestruck, mesmerized.  Beef Wellington is forgotten. Grandfather and string quartets are forgotten. Millionaire donors forgotten. She thinks suddenly of Francesca Woodman and her photographs -- that ominous delicacy. Yes, that’s what she couldn’t quite put her finger on. Something desperately awful has happened in this room.  Questions deluge her: are they drugged? Were the Pop Tarts tainted? Whose blood is that? Is that blood? What the hell is going on?  She snaps out of her own reverie over. She makes her way to the open window. She looks down. A fallen angel.</image:caption>
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      <image:title>Read Entries - COIN 2022 - Natanya Biskar</image:title>
      <image:caption>“We’re sorry about the mess.” I jumped. Next to me was the tallest ballerina. Across her leotard, streaks of red. I felt an internal lurch, the way the ground continues to sway after you disembark from a yacht. The ballerina tilted her head, eyed me curiously, in the same way a dog might regard you after you have spoken. Then she laughed–surprisingly deep and throaty for such a reed of a person. She looked down at her leotard and swiped a finger through the red.  “Food fight,” she said. “So childish.” She licked her finger, sucking in her cheeks. Behind her, the other ballerinas had grown bored of their dance. They splayed over the wingbacked chairs like cats, all long limbs and a heightened kind of disinterest.  “What–” I said, my throat dry, the words catching– “what happened here?” The ground swooped away and I reached to steady myself. I gripped the cool, bronze head of a tabletop statue of a Daschund. One of our family Daschunds. What had been the dog’s name? The ballerina smiled around her finger, still in her mouth.  “You’re talking about Evangeline.” At the sound of the name–Evangeline–the other ballerinas paused their humming talk. They turned their faces to us, turned them as one, like a many-headed creature, and in a deep, choral voice, they intoned, Words without blood are nothing but air.  The ballerinas began talking again, their voices casual, ordinary.  The tall ballerina smiled. Her skin was poreless. A breeze from the open window trembled through the feathers in her wings. Real feathers. Real birds.  “I have guests downstairs,” I said. “So true!” said the tall ballerina. She turned and clapped her hands once, a resounding sound. The company jerked, stood up, no longer languid but militantly straight.  “Sisters,” the tall ballerina said. “There is work to do.” The ballerinas seemed to drain from the room like water. When they were gone, the tall ballerina turned back to me. She gave me a quizzical look, her eyebrows pinching. I saw that I was holding the heavy statue of the Daschund in both hands. “We’re really not bad people,” the tall ballerina said. She pursed her lips. “Though we are shit dancers.” From down below in the garden, voices snaked upwards. Singing. An eerie warble. Bone, flesh, and breath. Bone, flesh, and breath. “Do you ever think about the permanence of matter?” the tall ballerina asked. She snapped her fingers. “The conservation of matter! I always forget the right way to say things. Accuracy, specificity–it’s so important, wouldn’t you agree? Everything–words these days–they’re so floppy. I like old words. Ancient languages. Latin.” Bone, flesh, and breath. Bone, flesh, and breath. Return to us now. “The words of incantation? Super specific,” the tall ballerina said. “They’ve barely changed in thousands of years. Think about that. The words we say are the same words someone was crying out in the birch forests of Prussia.” “Prussia,” I said. “Exactly!”  I felt acid in my throat, a rancid sear. The ballerina joined me at the window. She leaned down, resting her elbows on the sill.</image:caption>
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      <image:title>Read Entries - COIN 2022 - Ariel Delgado Dixon</image:title>
      <image:caption>Sprawled on the bluestone garden walk, three stories down, she laid artful and still, a demure arrangement of limbs. “Aw,” said the ballerina beside me. “She looks like she’s sleeping.” She did look peaceful, if a little stiff. She reminded me of innocent little Clara, from Tchaikovsky’s The Nutcracker. The whole candy-colored ordeal of Sugarplum Fairies and Dewdrops and Russian Dancers and spiraling Flowers had turned out to be Clara’s midnight dream. Pure invention. I was hoping the same was true for me, but I was rarely that lucky. The ballerina drummed her fingers on the windowsill. She seemed to be waiting for my reaction. The other dancers watched on, tittering their incantations and preening, comparing wingspans.   Down on the bluestone garden walk, beside poor Evangeline, the shortest caterer had come to investigate. She looked up, saw me in the window. “Don’t move,” I told her. “I’ll come to you.” Downstairs, one of the more seasoned caterers had the sense to close the doors to the dining room. Music was playing. I heard the pomp and circumstance of “Waltz of the Flowers.” A neat, choreographed row of dancers had followed me down the looping staircase and into the garden, where the shortest caterer stood speechless above Evangeline. Before the bloodless work of raising funds and hosting dinner parties and buffing the egos of the charitable elite, I too had been a dancer. I was good, but never great. Always, my talent lay in the grander architectural work of planning, managing, orchestration. I could troubleshoot a dry Beef Wellington, but a prima ballerina felled by a deranged, Latin-obsessed horde of company dancers was a taller order. Still, I trusted my capabilities. The shortest caterer and I would make quick work of Evangeline’s body, send her off in a car toward a hospital, gather up the company dancers and lock them up some place until the last guest signed their check and rolled away in their limo. While I told the shortest caterer what to do, the ballerinas whispered their own plans. It occurred to me that Evangeline’s window exit was not the night’s finale, but perhaps the beginning. What did the ballerinas have planned for each other, and for the rest of us? Bone, flesh, and breath, the ballerinas had chanted. And that’s all dance was. Control of the body as it flung through space and time, the body the instrument, the body’s effort made invisible, made of grace. “Here,” the shortest caterer said, “I’ll grab her arms, and you grab her legs.” The shortest caterer’s smoky eyes seemed to disappear when she blinked, but when they opened again, the fairest blue. “Don’t touch her,” one of the ballerinas said, stepping forward from her pack as the new lead. Like a flight of swans, the rest of the ballerinas closed ranks behind her, their wings imposing. “Or what?” the shortest caterer said, but before we could take another step, the lead ballerina and her flock gathered around Evangeline. By turns chanting, smirking, weeping, the ballerinas circled Evangeline in unison, one long-limbed murmuration, making their own current and music with every pointe-shoed scrape along the bluestone. If it weren’t so gruesome, so unhinged, it would’ve been beautiful. At least, it was transfixing. The shortest caterer and I watched on as the circle moved faster, still in unison, the music made by the dancers growing louder and they spun, shielding Evangeline from our view. I felt the shortest caterer’s tiny hand slip into mine, and I was grateful. Her touch let me know it was real. I wasn’t dreaming at all. Whatever madness had struck that night, it wasn’t mine alone. Just as the ballerinas’ spinning hit a crescendo, a cold blur of white and wings, the doors to the garden opened behind us. The dinner guests in all their evening wear looked stricken. “I can explain—” I began to say, but the shortest caterer gripped my hand tight, shook her head. The guests watched the whirl of ballerinas as the occasional red streak flared in their costumed ranks. I tried to read the faces of the donors, tried to plan ahead what I would say, how best to salvage an evening gone wildly off the rails—but, I didn’t have to say a thing.   As the circle of dancers slowed and settled, their last variation complete, Evangeline rose to her feet, then onto her toes, a perfect pointe, prima to the end. A first tentative clap broke the silence. Applause spread out into the garden as the guests whooped and cheered louder than I’d heard at any performance. One woman in fur plucked a rose from the garden and tossed the petals gleefully, first into the air, then toward the ballerinas, and then, finally, at my feet. The End.</image:caption>
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  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-summer-2019-wxbef-b6p63</loc>
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    <priority>0.5</priority>
    <lastmod>2023-10-19</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-summer-2019-nem3j-fyx98</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-19</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/cambia-a-student-anthology-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/bb858c2b-261a-4e9e-98c3-79de9c403378/21Cambia.jpg</image:loc>
      <image:title>Read Entries - Cambia: A Student Anthology - 2021 - Enjoy the 2021 edition of Cambia, the anthology of the most outstanding work from The Cabin’s Writers in the Schools program.</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2017-theme-game-apbdn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1629313100309-BD6Z8V6UDB6ZSWWY7QFN/Screen+Shot+2021-08-18+at+12.57.58+PM.png</image:loc>
      <image:title>Read Entries - 2021 theme: RUPTURE - Some may hear it when a pipe bursts in the night. Some may feel it in their long-neglected hearts, some in their Achilles tendons. Many experience it well after they say goodbye to a friend for the last time, long beyond when the excavator made the first cracks in the dirt. What an old sycamore may do to a foundation, linoleum to an egg, microwave to a marshmallow. The end of many gas lines, arteries, and ear drums, some speculate it could happen to the fabric of spacetime and collapse the known universe. The Cabin is celebrating its first decade of Writers in the Attic with its 2021 theme RUPTURE.</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/read/coin-the-story-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1620253669463-GAAKIY1ZF8HAJWWZ239G/Nguy%E1%BB%85n+Phan+Qu%E1%BA%BF+Mai+%281%29.jpg</image:loc>
      <image:title>Read Entries - The Letter &amp;amp; The Lilac / COIN 2021 - Nguyễn Phan Quế Mai (Opener)</image:title>
      <image:caption>“I need to warn you,” my mother told me on the phone, “that my brother’s family just found a box of items he’d kept hidden from them all his life.” She sounded breathless, as if she had just run up a set of stairs.  I rubbed sleep from my eyes and looked at the clock. 6:05 am. My mother never called me this early unless there was an emergency.  “When did you know, Mom?" I asked. "And what did they find inside the box?” My uncle had died two weeks before. My parents and I had attended the funeral.</image:caption>
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      <image:title>Read Entries - The Letter &amp;amp; The Lilac / COIN 2021 - Lauren Wilkinson</image:title>
      <image:caption>I missed him a lot. I’d always had more in common with my uncle then I did with most of the other members of my family.    “Your aunt just called me. She’s pretty furious, actually. And as far as what’s in the box, well, it has a bunch of things in it. His real birth certificate, for one. Your uncle got involved in organized crime when he was still young. It started out with low level stuff.”  “Like what?” “I think theft, mostly, but I’m not sure. He probably explained it all in the letter to Cheryl, if you want to know. But the important thing is he got deeper and deeper into it and eventually they asked him to…kill someone.”  I nearly laughed from the shock of it. “Uncle Victor? The sweet old man who’d spend hours teaching me about all the different flowers in his garden? You’re saying he was a professional hit man?” “My brother was a good person. I know he didn’t want to do those bad things, but I don’t think he had much choice…. Anyway, he escaped soon after that and came here. He had to immigrate under a fake name because of his criminal record.” I’d always known that my mother and her parents had immigrated to the US when she was still a teenager, and that my uncle—who was almost fifteen years her senior—had joined them a few years later. But the way my mother was filling in the blanks about what my uncle had been up to in the old country had stunned me into silence.   “There’s a letter in the box that’s addressed to you,” she said quietly.   “What’s it say?” “I don’t know.”  “Auntie Cheryl can open it if she wants to.” “She doesn’t want to. She’s been through enough. She wants you to go over there and read it for yourself.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1620318262617-2X6AG5WFL77OFPBSVHOM/Boson+Headshot.jpg</image:loc>
      <image:title>Read Entries - The Letter &amp;amp; The Lilac / COIN 2021 - Crystal Boson</image:title>
      <image:caption>Phone. Wallet. Keys. In pain and panic, my best practice for doing what needs to be done is always routine and pattern. Phone. Wallet. Keys. I grabbed what needed to be gotten and locked the door, checking each lock four times to complete the pattern loop. Phone.      Wallet.       Keys. On the drive, I kept thinking about the flowers; the gently curved Oleanders with their gumline pink petals, the grape clusters of Foxgloves. I remembered our game of walking exactly in the middle of the path, a point for every Lily of the Valley I avoided touching. Pretending the flowers were dangerous, hiding monsters and sharp rocks and snakes. I spent the drive almost dreaming of the flowers, expecting their perfume to be crushed into me. I thought when I opened the door it would pour over the seat and flood into the street. It didn’t. Instead I was met with the early morning emptiness of Aunt Cheryl’s neighborhood, her worn smooth door mat, and her rage-dry eyes.  “Come take this box.” She stepped back to let me in the door and quickly closed it behind me. I stood there, waiting for our ritual of squeezed cheeks and a quick smoothing of my hair. She always ran her fingers through only the long side. She didn’t move to me, so I stepped into her. Raised my hands to her cheeks and gave a few quick squeezes, my fingers gently pushing into her skin.   “Auntie Cheryl?” “Please. I need you to take this box.” At the foot of the stairs was a grey metal box with a combination lock. The numbers on the open lock, 392, were worn and faded. The rest of the box seemed to be in surprisingly good condition. The corners shiny and smooth from age and use, and only the smallest trace of rust starting to collect in the hinges. Old and cared for.  “How do you know the code?” I turned around to see Auntie Cheryl standing behind me; she didn’t seem to know what to do with her hands.  “It was unlocked when I found it. So a secret box, but a half kept one. But either way, I need you to take it out of my house.” I couldn't remember ever seen her so angry, or scared. She looked at the box like it was poison. I opened the lid to see a thick envelope. I expected something older honestly; a note he wrote to me when I was a child and tucked away. Or maybe a stack of notecards with my favorite flowers from his garden. Instead, it was this. A long white envelope, heavy and unsealed, with my name written in my uncle’s steady hand. “Don’t read it in the house.” I could feel Aunt Cheryl’s firm hand guiding me towards the door and through it. Again, I thought of the flowers and the careful way Uncle Victor would hold some of the petals in his gloved hands.  I stood on the porch for a few minutes, trying to decide where to go. Where do you go to read a letter from the dead?  Anywhere but here, on the porch of a closed house. I got into my car.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1620321320164-WBOEW5J6LL2EWV8YQ84N/Malia-Collins-judge.jpeg</image:loc>
      <image:title>Read Entries - The Letter &amp;amp; The Lilac / COIN 2021 - Malia Collins</image:title>
      <image:caption>I set the box on the seat next to me and pulled the seatbelt around it. Where would he want me to read this, I thought. Uncle Victor–silver hair, sad eyes. I still couldn’t believe he was gone. Even the air around his house was filled with the scent of him–lilac, he loved lilacs, oleander. Thick and sweet his smell pooled in the folds of his neck.  Give me a sign, I said to the air. Outside of the car the wind picked up, the smell of rain not far behind. Our walks always lead to the river. I turned the key and drove back towards town. I wondered if I’d drive down this street again. When the people we love aren’t there anymore, doesn’t the place itself change? Trees, sidewalk, grass, river. I counted three steps in each spot, holding the silver box close as I slid down the muddy incline to the water. The cottonwoods were in full bloom and fat clumps of fluff and seed blew past me. I sat down on a split log, opened the box, and took out the envelope.  Dear, M, he started. He loved initials–who needs names, he said–sometimes a single letter is enough. Seeing his handwriting on the page like that broke my heart. Come back already, I thought.  I started over.    Dear, M.  I’m writing this because I need you to do something for me. Do you remember on one of our walks I asked you what your favorite words were? You said without pause, sequestered and succumbed. I love the way those words sound. You were maybe seven. That’s when I knew you could keep a secret. I need you to keep this secret.  When we first moved into our house, there was a swimming pool in the backyard. That’s when all the kids were into skateboarding and they used to come over in the middle of the night and yell–drain it! Drain it! So we did. There was a spot on the bottom, almost a perfect circle, that was a different color than the rest of the blue. And when we knocked on that spot, it was hollow. We didn’t think about it much. Too many other things to tend to. Then one night about a month after we moved in, we heard knocking back. The sound got louder and louder –like hundreds of fists trying to break through. And we could see the bottom of the pool crack open until the entire pool itself was gone and when I leaned over the ledge to look down I heard the voice before I saw it. It’s that voice, he said. That’s what you need to find.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1620325427350-SJKEPXZHMNXGTIJWBW5T/CMarie_Fuhrman.jpg</image:loc>
      <image:title>Read Entries - The Letter &amp;amp; The Lilac / COIN 2021 - CMarie Fuhrman</image:title>
      <image:caption>And that is where the letter ended, save for the “V” that he left as a signature, a letter that looked as if it were a sparrow flying from the page. That voice. I folded the letter, gently stroking each small crease and put it back in the envelope. I placed the envelope back in the box, and closed it, not caring about what else he’d placed inside.  That voice. Hadn’t that been what I had spent years looking for? I set the box beside me and turned my eyes toward the river. It was spring, the water was high, rushing, pulling at the alder that lined the bank, making the newly leafed branches dance like fingers toward an open sky. I thought about the river, the snow it had been in McCall just the day before. And McCall itself and then I thought of Lick Creek, the stream of hammered silver that flowed from the Salmon River Mountains. It was here that Uncle Victor taught me to sing. It was here where he read that first poem I wrote, then the short stories that followed. Here, that after getting my MFA in poetry at the University of Idaho, I returned and burned every single word I had ever written. Gave what I had to the Akashic record. As if the ether even cared. That was five years ago and I hadn’t written a word since. I looked again to the river, to the water flowing to Boise and beyond. I thought about the Salmon that used to spawn up the Payette. The grizzly that once were waiting for them. Both gone from the valley where Uncle Victor had his cabin. And behind me the traffic, the sound of Harleys and Winnebagos coming and going. The rubber on asphalt. Those who passed through taking photos from the car windows. Not missing the howl of wolves or the beat of a salmon's tail making a redd on the river bottom. God damn you, Victor. He always knew had to get to me. I picked up the box and watched the silver flash like a trout in the water, and I threw it into the Payette. Whatever was in there would drown with the fish and the memories and the secret that Uncle Victor had made me keep all these years. Swimming pool my ass, I thought. I knew damn well what he was talking about. The knock. The knock back. The cabin at Browns Pond. And the poem that started everything. The poem that Uncle Victor said could change everything. And it did, for a while.  They said it was my voice that mattered, my fierce voice in the poem. And the poem and subsequent poems were like the salmon once in Long Valley. Abundant, strong. Important to the landscape. My poems, my words. My voice. I thought they could make a difference and it was goddamned Uncle Victor who said they would. I scrambled up the slope to my car, digging my fingers into the wet earth, leaving their prints on the door handle. Phone. Wallet. Keys. I started the engine and cut off a truck with Washington plates as I swerved onto Highway 55. A horn wailed, which made me push the gas pedal harder. North. Back to the cabin. Back to, as Uncle Victor called it, the scene of the crime. Back to the place where my words were burned into the earth along Lick Creek. Where the griz and the wolves once shit. And salmon spawned out. Where, beneath the water of Browns Pond, hid the ugly truth. And my voice. My once strong and fearless voice, hid with it.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1620328039659-49W6A28N8LWAT9KS6J1M/P.Marcantonio.jpg</image:loc>
      <image:title>Read Entries - The Letter &amp;amp; The Lilac / COIN 2021 - Patricia Marcantonio</image:title>
      <image:caption>The white stripes of the asphalt came at me like spears, and I swore I could feel their points graze by my cheeks. I did have a good imagination. Uncle Victor told me that. He told me a lot of things but whenever I was alone I began to wonder what I had made up in that good imagination or what really took place. I patted the gray metal. My own Pandora’s box, which had unleashed what I might find at the cabin. I turned on music to stop thinking, but the tunes sounded muffled as if I had a wool blanket stuffed in my ears. It was miles to the cabin, but my head was already there. That voice. What was I going to do when I got there? Walk into the meadow near the cabin and stroll through the mat of bell flowers and bee balms, the wild lupine and sunflowers. Flowers so thick even the color would stick to my legs. Beauty I could never hope to capture in any of my writing. Okay, in the meadow. I’d open my arms wide and twirl like goddamn Julie Andrews bursting into the song and hope I’d get an answer. Any answer. One answer. Whose voice was that under the pool? I might be taking this too literally. Leave it to my Uncle V to write me in terms of ambiguity when I needed clarity. He wasn’t going to make this any easier for me. Had he been a killer in another country or was that his imagination? If he had murdered, then he might have wanted to save a life. That was the question, but the other one shooting at me like those while spears on the road was when had I lost my own voice? Sequestered and succumbed. My favorite words I told my uncle. I shivered and it wasn’t from the air conditioning. I could be standing in the midst of the open Idaho wilderness and still felt as if I were in a box. Not unlike the gray one on the seat next to me. A prisoner who surrendered. I’d been like that since I could remember. No, since the fall at the cabin. When I lost my voice.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1620332094002-W4NVJOLG060EVBZCHN82/Amanda+Ranth.jpeg</image:loc>
      <image:title>Read Entries - The Letter &amp;amp; The Lilac / COIN 2021 - Amanda Ranth</image:title>
      <image:caption>As I turned off Highway 55 and began my ascent towards the cabin, I rolled down the windows. The smell of pine and sunlight hit my brain like a hundred daggers.  Finally, the grief of losing Uncle V registered and I allowed the tears to gently surge down my cheeks. The current of emotion rushed simultaneously with the flood of unanswered questions.  Why had he kept this secret from me? From all of us? For so long, he buried his past. Why tell us now? When there could be no reconciliation. When there could be no closure for his sins.  I wiped the tears and tried to focus on the road so I wouldn't miss the turn off. The dirt road was the last length of space between me and what I hoped would be answers. It was a washboard from the thaw and spring rains and I had to slow down. The last leg was always the longest.  That voice.  The riddle of a letter played over and over in my head. Spliced with all the conversations we had over the years. In his garden. About my writing. I was trying to piece together the message. What was it he wanted me to hear?  That voice.  I tried so many times to conjure words the way I once did. It was more than writer’s block. It was a boulder in my brain that rolled off a cliff. Blocking the road. It fell the same day I fell. Slipping on the mossy rocks around Browns Pond. I didn't remember how long I was there. Uncle V found me in a tributary of blood. He joked that I would live in the pond forever. My blood mixed with water. My cells sinking into mud at it’s murky bottom.  All at once, I could smell him. Lilac and Oleander filled the car. It was as if he was sitting beside me. His presence was robust. Not a ghost. Ghosts would be light. This was heavy. Substantial. A sitting memory on a bumpy road.  The trees parted into a wide valley as the dirt road snaked around to end at Browns Pond. There it was. The cabin. And I had arrived with my ghost.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1620335167075-NL3JCR3WJ5EETRNQN8TF/Debra-Magpie-Earling-03_Mike-Albans.jpeg</image:loc>
      <image:title>Read Entries - The Letter &amp;amp; The Lilac / COIN 2021 - Debra Magpie Earling (Closer)</image:title>
      <image:caption>I stopped in the middle of the road and dust rose up and past me with the smell of long-ago Idaho. Mint. Sage. Milk of Owyhee River. Victor wouldn’t have led me this far without answers.  At the very bottom of the weathered box was a brown-edged piece of paper. Onion paper. The kind of paper Victor had used to write home. I’d mistaken it for lining. But I remembered something he’d told me when I was a child. Every object holds a story and every story holds hidden clues. Things are never what they seem.  I peeled back the paper and it cracked beneath my prying. I lifted it to the sunlight and saw three bold words. Marion Two Bulls. I saw more but the words were inked in candlewax, withered, illusive. I pulled my lighter from the glove box, and candled the paper, careful not to light it.  And there, beneath her name, these words appeared.  You will lose your faith in your own writing because you are a person of substance, and writing to express yourself alone is not in your nature, but this woman Marion went missing the summer you left home for university. No one spoke about her. Her voice has been silenced like so many Native women and people. She lived not far from the cabin and we’d hear her voice, and other voices, on cold winter nights. The poetry of those long-ago voices called to the voice within you. Those voices were nature driven, splintered in wood, and broken against our window panes, broken on our colony of houses surrounding their sacred land, blocking their ancient songs and stories. In spite of her loss across the years, and in spite of what we know and what we have lost, and all we have loved, let yourself always see the world in a spirit of inquiry, and let your writing bring you home, not to wallow, nor to feel piteous, instead, let all the things we have lost along the way, and your voice serve the voices of many. WRITE.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-summer-2019</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-07</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-summer-2019-nem3j</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-07</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-summer-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-11</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-summer-2018-ed6cy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-11</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writing-camps-anthology-summer-2018-ed6cy-lkkt9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-11</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/kyle-bilinski-curbside-pickup</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-31</lastmod>
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      <image:title>Read Entries - Curbside Pickup</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596133669881-QAMFYK5B2UYB5IC5X08M/Cabin-Shot-225x300.jpg</image:loc>
      <image:title>Read Entries - Curbside Pickup</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/saturday-book-selections</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596062192791-VN9QPD01UEZ4MQWE1ZVS/A-little-history-of-poetry-191x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596062302017-0I67CQ2222FA1GIAN1BG/What-it_s-like-to-be-a-bird-230x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596062414049-Q30QIJX7PHF3RLPD69LH/Hidden-Valley-road-197x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596062641770-62SHP9BYC0J3AA2P37D9/Redhead-by-the-side-of-the-road-182x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596062746864-AR1U0BEK95YKOTW2TEA6/Emily-headshoot-241x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
      <image:caption>Emily Lavelle is a writer, editor, and literary publicist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596063096454-L3SXJ25456VAPOVFORHI/Just-Kids-194x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596063228612-TYMWZ3ECJZ1S88ZAXHE9/Survival-Math-203x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
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      <image:title>Read Entries - Saturday Book Selections</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596128872170-1QGU4FMTWDYOQAZ5TOHD/The-Yellow-House-197x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596128997655-0ITWZZCWBPRK23K6GCAW/Persepolis-203x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596129045906-CS3GBUT7SE518YRAFTP3/Kurt-Zwolfer-photo-by-Melanie-Folwell1-200x300.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections</image:title>
      <image:caption>Kurt Zwolfer is the director of The Cabin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/kim-cross-desperate-measures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596132150881-A8ROEVEO4ILNSO4PKBDT/9780553381542-191x300.jpg</image:loc>
      <image:title>Read Entries - Desperate Measures</image:title>
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      <image:title>Read Entries - Desperate Measures</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writers-in-the-schools-daydreams</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-31</lastmod>
  </url>
  <url>
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  <url>
    <loc>https://www.thecabinidaho.org/read/writers-in-the-schools-the-goose-problem</loc>
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    <lastmod>2020-07-31</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/read/john-rember-return-of-the-authentic</loc>
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    <lastmod>2020-07-31</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/read/catherine-kyle-turbulence</loc>
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    <lastmod>2020-07-31</lastmod>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/anthony-doerr-one-square-yard-of-the-yard</loc>
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    <priority>0.5</priority>
    <lastmod>2020-07-30</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/read/ella-the-dragons-danger</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/madison-finding-a-way-home</loc>
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    <lastmod>2020-07-22</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/read/natalie-disney-wwjbd</loc>
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    <lastmod>2020-07-22</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/read/christian-winn-they-hadnt-yet-part-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:title>Read Entries - They Hadn’t Yet, Part 2 - Reading recommendation? Lights All Night Long by Lydia Fitzpatrick</image:title>
      <image:caption>“Why? The language is terse and magical at once, and the dual narratives — one set in post-soviet northern Russia, one in suburban Louisiana — are woven together beautifully and brilliantly, slowly peeling away layers of the mysteries surrounding two brothers losing each other. It’s a poetic, character-driven, page-turner, and as a writer and reader I love and admire what Lydia has accomplished with this novel. Can’t wait for her next one! She writes amazing short stories as well.” Order from Rediscovered Books here.</image:caption>
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    <image:image>
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      <image:title>Read Entries - They Hadn’t Yet, Part 2</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/hannah-rodabaugh-2-poems</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/lyd-havens-five-poems</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595262635848-YU7R7HCD53Z30R1UCGCN/9780525520412+%281%29.jpg</image:loc>
      <image:title>Read Entries - Five poems - Book recommendation? Disappearing Earth by Julia Phillips</image:title>
      <image:caption>This was the ﬁrst novel I read in 2020, and I almost wish I could read it for the ﬁrst time all over again right now. It takes place in Russia’s Kamchatka peninsula, and weaves a web of phenomenal characters who have everything and nothing in common. This is an engrossing, thoughtful read, especially for those who might be thinking about and missing their communities.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Read Entries - Five poems</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/elena-tomorowitz-strange-holiday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:title>Read Entries - Strange Holiday - Reading recommendation? Hangsaman by Shirley Jackson</image:title>
      <image:caption>“I’m currently reading, and recommend, Shirley Jackson’s Hangsaman after seeing the movie Shirley, which depicts the time period of her writing the book. The main character’s inner dialogue drives the book, and there’s a really interesting shift from first to third person which really makes you feel enveloped in the people, the place, the time.” Order from Rediscovered Books here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595261957726-0RW0W3RRAGNWKJYIU6XT/IMG_8800.jpeg</image:loc>
      <image:title>Read Entries - Strange Holiday</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/josh-the-unplanned-vacation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/emily-pittinos-abecedarian-with-post-nap-selfie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595261284872-QPNUJCAFPOJBHTOOAY92/IMG_0910-202x300.jpg</image:loc>
      <image:title>Read Entries - Abecedarian with Post-Nap Selfie</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/kelly-harwood-survivor-101</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595260782887-EI2UID764WJRM81EP555/9780062941503.jpg</image:loc>
      <image:title>Read Entries - Survivor 101 - Reading recommendation? Disappearing Earth by Julia Philips and My Dark Vanessa by Kate Elizabeth Russell</image:title>
      <image:caption>“Right now I am reading two books, both excellent. Disappearing Earth by Julia Philips and My Dark Vanessa by Kate Elizabeth Russell.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595260806715-27X5402HIJUYGBADD5QJ/Kelly-Harwood-Headshot-300x300.png</image:loc>
      <image:title>Read Entries - Survivor 101</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/ezekiel-food-fight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/susan-rowe-seven-poets-three-poems-one-virtual-reading</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595259720675-C4MP1Z2O7IIXWWB93QGN/9780316492898+%281%29.jpg</image:loc>
      <image:title>Read Entries - Seven Poets, Three Poems, One Virtual Reading - Reading recommendation? One Long River of Song by Brian Doyle</image:title>
      <image:caption>“Brian Doyle’s One Long River of Song, a collection of the late writer’s best essays, musings, and proems, the description he gave to his prose poetry. It’s a beautiful collection, easy to dip into because the pieces are short. I laughed out loud when I wasn’t tearing up. Doyle’s great gift to his readers is his insistence there is grace and beauty to be found even in life’s most painful moments. It’s a book for our times” Order from Rediscovered Books here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595259703331-VLD77QJTHBVIFD6AOPYI/Susan-Rowe_standing.jpeg</image:loc>
      <image:title>Read Entries - Seven Poets, Three Poems, One Virtual Reading</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/diane-raptosh-a-corona-of-sonnets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595018308210-TT20QXUQQD7ZJX8HT13R/9780393323122.jpg</image:loc>
      <image:title>Read Entries - A Corona of Sonnets - Reading recommendation? Arts of the Possible: Essays and Conversations by Adrienne Rich</image:title>
      <image:caption>“I recommend reading Adrienne Rich’s Arts of the Possible: Essays and Conversations. I am rereading it now and find it lifesaving!” Order from Rediscovered Books here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595018351133-ZMAQOHD9JGGUGOY9V79Z/IMG_3013-1+%281%29.jpg</image:loc>
      <image:title>Read Entries - A Corona of Sonnets</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/they-hadnt-yet-part-1-christian-winn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595017730328-F6V8CJYYDT1YFWV0UEMB/9780525558750.jpg</image:loc>
      <image:title>Read Entries - They Hadn’t Yet, Part 1 - Reading recommendation? Lights All Night Long by Lydia Fitzpatrick</image:title>
      <image:caption>“Why? The language is terse and magical at once, and the dual narratives — one set in post-soviet northern Russia, one in suburban Louisiana — are woven together beautifully and brilliantly, slowly peeling away layers of the mysteries surrounding two brothers losing each other. It’s a poetic, character-driven, page-turner, and as a writer and reader I love and admire what Lydia has accomplished with this novel. Can’t wait for her next one! She writes amazing short stories as well.” Order from Rediscovered Books here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595017782191-NBKS8Q1VIQZ5P4PV272S/HS-COIN-Christian-Winn-1+%281%29.png</image:loc>
      <image:title>Read Entries - They Hadn’t Yet, Part 1</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/mary-pauline-lowry-writing-exercises-for-kids-of-all-ages</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595017251870-ETFEF5NETQKRR6XFZ0FA/9781982126766.jpg</image:loc>
      <image:title>Read Entries - Writing Exercises for Kids of All Ages - Reading recommendation? When We Were Vikings by Andrew David MacDonald</image:title>
      <image:caption>“I’d highly recommend When We Were Vikings by Andrew David MacDonald. It’s a big-hearted, very funny, tender novel narrated by Zelda, a 21-year old viking enthusiast who has fetal alcohol syndrome and is determined to live out a quest and become a hero. Despite her challenges, Zelda manages to bring joy to everyone who encounters her (including me!) When We Were Vikings is delightful and uplifting!” Order from Rediscovered Books here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595017236552-S7U5ZLPWVCUV0QYZV6Z0/mary-pauline-lowry-157114691+%282%29.jpg</image:loc>
      <image:title>Read Entries - Writing Exercises for Kids of All Ages</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/hillary-bilinski-baby-stay-inside</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595016761203-E5W7VVI4F4RYB3EZM5QN/9781400097388-194x300.jpg</image:loc>
      <image:title>Read Entries - Baby, Stay Inside - Reading recommendation? Baby Makes Three by John Gottman and Julie Schwartz Gottman</image:title>
      <image:caption>“Why yes, I am going to recommend the book I mentioned in my piece. Conflict management and dealing with your own emotions and the feelings of loved ones living in close proximity to you is not just for growing families. Don’t worry, it’s not a self-help book, but contains some good common sense about how to deal with the irritants and bad days we all have without snow-balling or taking it out on humans you happen to be around and actually like most of the time.” Order from Rediscovered Books here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595016822813-GUOXDAJHCH7ERZVTQLSE/Hill-pic-for-writers-at-home-piece+%281%29.jpg</image:loc>
      <image:title>Read Entries - Baby, Stay Inside</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/liam-peace-in-your-mind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/amanda-ranth-groundless</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595015592707-OWLH4TIT7XUYP7HDV665/Ming-Ann-5-9-2017.jpg</image:loc>
      <image:title>Read Entries - Groundless</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/joel-wayne-fearful-inventories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595015225001-JMYNA6TV1I8EBA4P5F87/Victoria-Alley-Joel.jpg</image:loc>
      <image:title>Read Entries - Fearful Inventories</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/saturday-book-selections-emily-lavelle-kurt-zwolfer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595012832880-NOLAXUXV88AGTD4B3SGU/Hillary-Mantel-mirror-and-light.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections - One You’ve Been Waiting For:  The Mirror &amp; the Light by Hilary Mantel</image:title>
      <image:caption>Hilary Mantel delivers an epic close to the trilogy that chronicles the rise of Thomas Cromwell, chief advisor to King Henry VIII. If the first two books — Wolf Hall and Bring Up the Bodies — taught readers anything, it is that Mantel has a novelist’s mastery of prose and an archivist’s soul. Both are on display in The Mirror &amp; The Light, as Mantel grounds the dramatic storytelling in rich, vivid historical context, as is her trademark. Clocking in at more than 700 pages, this one is our choice for a truly immersive read to sustain you over the next few weeks.</image:caption>
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      <image:title>Read Entries - Saturday Book Selections - One that Will Make You Savor Solitude:  At the Center of All Beauty: Solitude and the Creative Life by Fenton Johnson</image:title>
      <image:caption>In this gorgeous, lyrical book, Fenton Johnson holds solitude to the light and considers it from every angle. Johnson — a self-identified solitary — draws examples from a dozen historical figures from Emily Dickinson to Amelia Earhart to Bill Cunningham to Paul Cézanne and illustrates how we may all benefit — creatively, spiritually, and societally — by courting more solitude in our lives. At the heart of the book is the question: What might we nurture if we aren’t nurturing a romantic partnership and instead turn our full attention to creativity, friendships, community, and our own inner worlds? The opportunities, considered in Johnson’s almost divine prose, seem limitless and seductive.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595012886778-M3VTUJPR3RW1ASLMR40N/wow-no-thank-you.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections - One to Make You Laugh: Wow, No Thank You by Samantha Irby</image:title>
      <image:caption>The author of the bestselling comedic essay collections We are Never Meeting in Real Life and Meaty outdoes herself with this bundle of unabashed, hilarious, honest, and timely essays.  In essays including one titled “A Case for Remaining Indoors,” Irby covers topics from her expertise with self-isolation (long before Coronavirus made it popular!) to race, gender, and body functions. Irby’s pen drips with a signature, impossible-to-replicate sarcasm, wit, absurdity, and self-deprecation. If you need the voice of a best friend who calls it as she sees it, look no further than Samantha Irby.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595012987131-XDIS8WA2PAKQ7AZELMEU/the-boy-the-mole.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections - One to Read with the Family: The Boy, the Mole, the Fox and the Horse by Charlie Mackesy</image:title>
      <image:caption>This international bestseller published last October and is experiencing a surge in popularity this month — and it’s no wonder why.  A modern-day fable about the unlikely friendship between a fox, a horse, a boy, and a mole, this warm book offers gentle lessons on the universal topics of kindness, bravery, and vulnerability.  The characters ask — and answer — questions such as: “What do we do when our hearts hurt?” “Home isn’t always a place, is it?”  and “What do you think success is?” The reply to the last one?  “To love.” Families will find this quaintly illustrated book reassuring, hopeful, and grounding during such uncertain times.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595015853395-WYSU2V2PHO0NMHFHL7U4/Emily-Lavelle-headshot%2B%25282%2529.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections - Emily Lavelle is the Cabin Board Secretary and works as a publicist for the book industry. She probably knows secrets about your favorite authors but keeps that information to herself.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595013059327-9E355MK6NCYB9GHV0VLQ/Nickel-Boys.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections - Colson Whitehead (February 2018) followed his magical realistic story of America’s legacy of slavery, The Underground Railroad, with a novel that takes a more direct approach to historic events. Nickel Boys is a fictionalized account of two children trapped in a horrific 1960’s juvenile reform school that is based upon the now shuttered Arthur G. Dozier School for Boys. Through expert storytelling, Colson connects his readers with the broken lives of his two protagonists while exposing the institutional corruption and discrimination of the Jim Crow South.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595015913917-GCSSIV23MP45NN6E8FZK/groff-florida.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections - Lauren Groff (April 2017) switched gears after her bestselling novel Fates and Furies and released an intimate short story collection named after her home state. Although each story in Florida stands by itself, the entire collection links together thematically allowing the reader to consume the book in small pieces or swallow it up in several extended reading sessions. It’s the perfect geographic escape for those willing to trade the mountains of Idaho for the swamps and heat of the Sunshine State.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595013290417-SR7J08JK0N8OKTUTWBR7/mccann-apeirgon.png</image:loc>
      <image:title>Read Entries - Saturday Book Selections - When Colum McCann visited the Readings &amp; Conversations’ stage (November 2016), he read from his latest collection of short stories, Thirteen Ways of Looking. After four years of writing, Colum just released his next novel. Fans of McCann know that the National Book Award winner often explores historic events and the shared humanity between people from varied and unfamiliar backgrounds. Apeirogon is the story of two men, an Israeli and a Palestinian, who are linked when each of their families experiences a tragedy resulting from the long-running Middle Eastern conflict. Like Colson Whitehead’s latest work, Column based this novel on a real story of ordinary people trying to overcome the madness of the world around them.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595013528090-6BAXYHKIL7YTYB4D5G4R/strout-olive-again+%281%29.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections - If you are a fan of Pulitzer Prize winning novelist Elizabeth Strout’s (March 2012) Olive Kitteridge, you might already be aware that she published a sequel last year. Olive, Again is the chance to get acquainted (or reacquainted) with Strout’s lovable but curmudgeonly character while exploring the lives of a small town in Maine.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595013687684-3P8531OQNWISVVQUZSJD/Calypso.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections - David Sedaris (April 2003) has produced a stack of books since he helped kick off the first season of Readings &amp; Conversations. His latest collection of humorous essays, Calypso, is a sure fire way to brighten your mood during home confinement. In usual Sedaris fashion, Calypso skewers both himself and his family in the sometimes bittersweet tales of his middle age years.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595015958956-G43WSIG82Q9OAWK256DQ/Kurt-Zwolfer-photo-by-Melanie-Folwell1%2B%25284%2529.jpg</image:loc>
      <image:title>Read Entries - Saturday Book Selections - Kurt Zwolfer is the Executive Director of The Cabin.  He reads too much and some of his tall stacks of books fell over in the recent earthquake.</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/heidi-kraay-a-play-project-and-prompt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595011789720-YEUAK3ND5H7L9M7LUTKF/9781786824257.jpg</image:loc>
      <image:title>Read Entries - A Play Project and Prompt - Reading recommendation?  Collective Rage: A Play in Five Betties by Jen Silverman</image:title>
      <image:caption>“Definitely for mature audiences, but this is one I can’t get out of my head that got me laugh-swooning until I hiccuped and forgot momentarily about all things now. Not that it doesn’t deal with all things now — just in a way that bites and swings and doesn’t include a plague. I’m keeping those laugh-swoon-hiccups in my gut while writing this stress play, that’s for sure.” Order from Rediscovered Books here.</image:caption>
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      <image:title>Read Entries - A Play Project and Prompt</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/read/kurt-zwolfer-societys-new-darling</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595011248876-FEHWNB2TH7X6C2JX012A/wolf-hall-cover-200x300.jpg</image:loc>
      <image:title>Read Entries - Society’s New Darling - Reading recommendation? Wolf Hall by Hilary Mantel</image:title>
      <image:caption>“If you are stuck at home for the foreseeable future, you might as well invest the time in the first book of this double Booker Prize winning trilogy of diplomacy, double crossing, and leaders behaving badly.” Order from Rediscovered Books here.</image:caption>
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      <image:title>Read Entries - Society’s New Darling</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/read/charles-conservatives-teaching-lesson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/cl-young-selections-from-catalog</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595010283402-FTALOZJH5FP2XLDH3FYB/The-Passion-According-to-G.H..jpg</image:loc>
      <image:title>Read Entries - Selections from Catalog - Reading recommendation? The Passion According to G.H. by Clarice Lispector</image:title>
      <image:caption>“As always, I’m reading a few different books at once right now, but I’d say most importantly I’m re-reading The Passion According to G.H. by Clarice Lispector for about the sixth or seventh time. It’s a book I return to whenever I need to be jolted back into the the most core part of myself or jolted out of whatever ordinary reality is currently dishing out. Lispector’s writing, and G.H. in particular, feels like permission. Permission to think in ways outside of the conventional, permission to write as far as I can into lush strangeness.” Order from Rediscovered Books here.</image:caption>
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      <image:title>Read Entries - Selections from Catalog</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/read/katie-fuller-letter-to-e</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595009702642-SR66Z69OOOL2SBN5YPED/The-Waves.jpg</image:loc>
      <image:title>Read Entries - Letter To E - Reading recommendation? The Waves by Virginia Woolf</image:title>
      <image:caption>“Recommended to me by Cheryl Hindrichs for getting through all that’s going on — considered her best by many — feels like Woolf is talking directly to you, there’s hope, and oh the imagery! No better time to take this ride. Order from Rediscovered Books here.</image:caption>
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      <image:title>Read Entries - Letter To E</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/read/megan-williams-an-interview-with-mary-pauline-lowry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:title>Read Entries - An Interview with Mary Pauline Lowry</image:title>
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      <image:title>Read Entries - An Interview with Mary Pauline Lowry</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/franki-the-secret-of-the-constitution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/daniel-stewart-going-viral</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1595006048338-3ICU9Z6W30ZHHVK64B4E/The-Trailhead-201x300.jpg</image:loc>
      <image:title>Read Entries - Going Viral - Reading recommendation? The Trailhead by Kerri Webster</image:title>
      <image:caption>“I keep returning to The Trailhead, by Kerri Webster. Her poems contain lists that read as reliquaries. The poems ache and haunt; the language is beautiful, angry, elegant. Her poems feel necessary, especially now.” Order from Rediscovered Books here.</image:caption>
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      <image:title>Read Entries - Going Viral</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/read/writers-in-the-attic-anthology-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596145374328-SR7AUHSWUYWBSMKKEWQP/20+WITA+Apple+Cover+Half.jpg</image:loc>
      <image:title>Read Entries - 2020 theme: APPLE - 2020’s theme is the shining symbol of health, and the moniker of a famous daughter. Long rumored as the forbidden fruit that transferred the knowledge of good and evil, this mischievous object bonked Newton on the head and defined the laws of gravity. Loosely Latin for domestic evil, this is the poisonous vessel of Snow White’s deep sleep, and the rotten core of a schoolyard bully—but also the sole object on earth holding the doctor at bay day after day. Along with Steve Jobs and his turtlenecks, our theme is the logo of California’s progressive tech mammoth, and the same golden objects Hera gave Zeus as a wedding gift, where they reside in a garden at the northern-most edge of the world. You are the apple of my eye, my favorite kind of pie…</image:title>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/writers-in-the-schools-the-cave-excerpt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-13</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/summer-camp-anthology-2019</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-15</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/coin-the-story-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1592176613475-EZL4Z0HU8O9968E6H38C/Judy-Steele-Headshot.jpg</image:loc>
      <image:title>Read Entries - Solar Eclipse of the Heart / COIN 2020 - Judith McConnell Steele (Opener)</image:title>
      <image:caption>The letter arrived in my mailbox, of course. It came in an envelope, natch. But that’s where the mundane ended, the mystery began. The envelope had nothing on it—no name, no address, no stamp with the face of someone famous or dead. No stamp at all. I hesitated, questioned myself. Should I open it? But, of course, I did. Me being me and all. I slid my finger under an edge of the flap and (not fearful of the dreaded paper cut), ripped it open. Pulled out the thick sheet of paper and saw…</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1592177235558-WCJSCTY70Y05JFZY5R4W/image-asset.jpeg</image:loc>
      <image:title>Read Entries - Solar Eclipse of the Heart / COIN 2020 - Jamie Ford</image:title>
      <image:caption>Pulled out the thick sheet of paper and saw a wedding invitation for Caitlyn Calderwood, my high school sweetheart, the person whom I once was madly, recklessly in love with.        Like many hormonal sixteen-year-olds, we thought we’d be together forever. Instead her parents came home early from church on Super Bowl Sunday and caught us in bed. I’ll never forget that day, walking to my car in my underwear after Caitlyn’s mother grabbed my clothes off the floor and ran down the hall, screaming for her husband. I went home to the rent-controlled apartment that I shared with my alcoholic mother—who for once I was grateful that she’d disappeared for a few days––and sat with my worry as I watched Tennessee lose to St. Louis 23-16. The wide receiver had been tackled inches from the goal line as time ran out. That’s how I felt about Caitlyn. Close, yet such a crushing loss. When I went to school on Monday, Caitlyn was gone. “Her parents just said that she’s been sent away,” Caitlyn’s best friend, Sophie, shared the news. “Sorry. That’s all they would tell me. What exactly happened?” “You don’t want to know,” I said as I left for Trigonometry where I sat for 45 minutes staring at the empty desk in front of me where Caitlyn used to be. What have they done to you? What have we done? This is all my fault. I imagined her being sent to her grandmother’s house in Georgia, to an all-girls private school in upstate New York, or to some reform school where kids work out their anger, anxiety, and sexual frustration by rock climbing and white-water rafting, but the counselors still take your shoes at night so you don’t run away. As our math teacher droned on, I began to see my future with Caitlyn as Gödel’s Incompleteness Theorem, not just unsolvable, but completely unknowable. Or maybe it was like long division and I was just the lonely remainder. Now as I stood next to my mailbox, listening to the chirping of mountain bluebirds and lawn sprinklers, I realized that I hadn’t seen her, hadn’t heard from her in twenty years. Though I’d thought about her, without fail, ever damn Super Bowl Sunday. While everyone else ate chicken wings and commented on the halftime show, I’d ride a tidal wave of nostalgia and anxiety, feeling a part of me pulled under by rip-currents of regret and there was no lifeguard on duty. I sighed as I read the invitation. I was happy for her, honestly. Until I saw she was marrying someone named Rayne. That was it. No last name, like a K-POP star or a professional wrestler. I also couldn’t tell if Rayne was a man or a woman. That’s when I remembered how her parents had sent her to Bible camp after her freshman year and how she told me half the kids there were queer and there was a lot of fooling around after dark, despite the puritanical intentions of their parents. I hadn’t been surprised. My mom sent me to a similar place, though I think she sent me to the camp run by a local Baptist church because it was the only one we could afford. Graceway Bible Camp was where I did mushrooms for the first time. They grew were everywhere. Easy picking for those of us whose desired to be elsewhere, if only for a few hours. It was greater than our fear of accidentally ingesting the wrong kind of cap and stem and being rushed to the ER. One of the happiest moments of my childhood was spent at Graceway, floating on a raft with two other kids, staring up at the night sky and seeing geometric patterns, connectivity in the stars that I had never noticed before. Then a shooting star flashed across the sky. That was Caitlyn to me. “Hey, did we win the Publishers Clearinghouse Sweepstakes?” My wife, Olivia shouted through the kitchen window. “What are you doing out there?”   “Just reading some fan-mail.” Olivia understood that meant just the opposite. As a journalist, I was used to people occasionally—okay, frequently—being unhappy with my work. That’s why I never engaged with anyone on Twitter, even though I had a blue check mark. I didn’t have a Facebook account. More importantly, I never read the comments section beneath any of my online articles, but that didn’t stop nice people from doxing me and mailing little love letters imploring me to perform hideous obscenities on myself. Take that Pulitzer and shove it sideways up your… “I’ll be inside in a minute,” I yelled back as I looked at the date. Caitlyn was getting married a week from now, June 5th, in Santa Fe. I smiled and shook my head in equal measures of disbelief and appreciation. Caitlyn had been a theater kid in high school. A drama queen in the literal since. Plus, she wore black all the time, even before Hot Topic made it possible to buy goth off-the-rack. She was old-school emo, like Holden Caulfield and always joked about getting married on Friday the 13th or on a full moon. She’d done better. She was getting married during next week’s total solar eclipse.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1592177311164-6Q2T14LP77MBHK5MD0B1/Mary-Pauline-Lowry-Headshot.jpg</image:loc>
      <image:title>Read Entries - Solar Eclipse of the Heart / COIN 2020 - Mary Pauline Lowry</image:title>
      <image:caption>Surely Caitlyn had mailed out invitations to her other guests two months before, and a save the date had gone out two months before that. My invitation she’d kept squirreled away, perhaps hidden in plain sight on her bedside table, under a stack of true crime novels and plays full of characters who were always shouting and tearing at their hair in an attempt to express their toxic love. She’d probably lifted the books every couple of days and fingered the invitation, asking herself: Should I? Shouldn’t I?  But of course in the end she could not resist. But why, oh, why hadn’t she just mailed it like a normal person? If the letter had arrived with my name and address written by a professional calligrapher, with a postmarked stamp, it would not have been half so unsettling. But the envelope in my hand was blank as an amnesiac’s memory. It was a purely Caitlyn prank, the sort of thing that had made me love her in the first place. A prank that by design would ensure I would think of nothing but her in the week leading up to her nuptials. Oh, the satisfaction it would give her to imagine me standing there in my pajama bottoms and Wilco t-shirt, looking around at my neighbors’ houses to see if any of them might have slid the envelope into my mailbox. Perhaps Caitlyn had looked one of them up on Google Maps and then the reverse phone directory, had paid them God-only-knows how much to receive a plain brown envelope that inside had contained this creamy blank one. She’d asked them to deposit the invitation in my mailbox when I wasn’t looking. Or perhaps she herself was peering out of one of my neighbor’s windows right now! Maybe she would open the door of the Millers ranch-style three-bedroom two-bath across the street and come sashaying down the sidewalk toward me, wearing her characteristic sassy grin. But no, that’s the kind of madness she wanted me to be thinking about. I shook my head to clear it. Caitlyn, after all this time, was obviously trying to mess with me. But wait! What if it was a test? What if, for all these lost years, Caitlyn had been missing me, loving me, regretting the way we’d been so hastily torn asunder? What if this was a test? What if she was calling to me, a cry for help, veritably asking me to halt her impending nuptials to “Rayne”? (Was Rayne an actor, a wrestler, an aspiring photographer, a pretentious nobody? An uncomfortable curiosity burned inside me—or was it jealousy?) Caitlyn’s drama was indeed like a riptide, pulling me from the safe shores of my yard’s edge out into a deep dark unknowable ocean. I stuffed the creamy invitation back into the envelope and walked down my sidewalk, determined not to be pulled out to sea.  And yet, in the days that followed, I could think of nothing else. At night, as I lay awake next to Olivia, her soft snoring and occasional snort did not annoy me as they usually did, but rather charmed me. This is my wife, I thought to myself. My eyes, adjusted to the darkness, gazed upon Olivia with a sudden nostalgia. I sensed I was staring at a woman I was about to lose. It was the same feeling that had overcome me on the last day of church camp, when I was suddenly sad to leave a place that had so often bored me. Back then, I had known with a sudden flash of wisdom that I would look back on my first mushroom trip as a wild and magical time that could never be recaptured. That was Caitlyn’s power. A twenty year absence and with one blank envelope she could make me know—even before I really even admitted it to myself—that I would blow my fairly happy, if mundane, marriage apart for her. On Caitlyn’s whim, I would take a powder keg to my life,  I stayed in denial all week. Right up until the moment I told my wife—over a dinner of Digorno’s frozen pizza, arugula salad, and boxed wine—that my boss was sending me on a last minute assignment to Santa Fe to investigate a “prison poet” named Sammy Ortega Laurence. Sammy had grown up on the streets and had been incarcerated as a teen. After teaching himself how to read and write when he was in prison, he began to publish, widely and well, and by the time he was released he was polishing up his memoir and his first book of poetry. Both nabbed rave reviews and sold better than anyone had ever imagined they would. That’s when Sammy started the visiting MFA professor circuit, until he came home at the end of the spring semester from a gig at the University of Texas to his cabin in Santa Fe to find the police waiting for him. Had he been framed for embezzlement and tax evasion and a host of seedier crimes? Or was he an innocent man targeted because his success had engendered jealousy in the literary rivals he loved to cultivate?  Sammy Ortega Laurence and his arrest were real—my wife wasn’t an idiot and knew how to Google as well as the next person. But the truth was, I had not been assigned his story. But his timely (for me) arrest would provide the perfect cover for my trip to Santa Fe—to what? Stop Caityln’s wedding? Have one last night of passion with her before she wed the pretentiously named Rayne? Watch her laugh in my face for being, after all this time, still so malleable, so easy to manipulate?  As I laid my carry-on bag on the conveyor built to go through security, I wished it could be so easy to see into my motivations, my own confused heart. Because a week before, I’d considered myself to be a relatively happy man. My work was not a drudgery, but a calling, and one that kept me engaged both with my own intellect and with the world.  My wife—snoring aside—was frequently a delight.</image:caption>
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      <image:title>Read Entries - Solar Eclipse of the Heart / COIN 2020 - Kelly Harwood</image:title>
      <image:caption>The Paolo Soleri Amphitheater overlooked the foothills on a cloudless, windless day in Santa Fe. I popped a mushroom into my mouth and made my way down the purple stairs of the theater as music played. What a perfect day for a solar eclipse wedding—no doubt part of Caitlyn’s plan to impress. After all these years she was still a theater kid at heart.  I settled into one of the upper rows, amongst a few guests wearing Star Trek costumes and two men wearing black leather robes and sunglasses. As I looked around, I noticed all of the guests were in costume and I wondered for a moment if I’d missed something on the invitation. I wanted to be close enough to see Caitlyn and assess this Rayne person. Part of me wanted her to see me as well, to remember our time together and the times fate had robbed us of sharing. I’d managed to find a rental tux similar to the one I’d planned on wearing to the junior prom with Caitlyn all those years ago, before her parents sent her away—a powder blue number with tails that matched her dress. I can still remember the day we rented it. She insisted on the color of course, and on the sequined cumberbun that cost extra. I didn’t really care for the tux, it was a bit theatrical, even for Caitlyn’s taste, but I would have worn a pair of assless chaps if she’d asked me to. That’s the kind of power she had over me back then, perhaps even now. But years had passed. The cumberbun, this time without sequins, felt like a sausage casing around my waste. As the sun beat down, I felt sweat soaking through the armpits of my ruffled shirt making it impossible to take off the polyester jacket.  I waited for the mushrooms to kick in, but so far nothing. I’d purchased them from a kid at the skate park across from my hotel the night before. He looked a bit like me back when Caitlyn and I were planning our future together and seemed just as clueless. I tried to be subtle in my request for drugs, specifically psychedelics, but eventually I had to be more direct when he accused me of being an undercover cop. “For the eclipse tomorrow,” I told him and he reached into his back pocket and pulled out what he said was a mushroom, but what looked more like a piece of lint from the dryer.  I’d purposely chosen a hotel near the prison where Sammy Ortega Lawrence was being held. I knew Olivia would see the credit card statement and I wanted all of my ducks in a row as far as my cover went. The neighborhood wasn’t great, three city blocks surrounded by barbed wire didn’t help. But I figured at the very least I’d find some stupid kid willing to sell me some drugs. Looking around at the other guests at the wedding, the family of Coneheads sitting in front of me, Spock to my right, Voldemort to my left, I wasn’t sure if the drugs had been a good idea, or the worst one ever.  The music stopped abruptly and I noticed that the theater was full. The crowd hushed waiting for the ceremony to begin and then the drugs kicked in. Was it all in my mind or did Caitlyn walk on stage dressed as Princess Leia complete with braided buns over each ear. Rayne joined her wearing a white robe and long white hair I hoped was a wig. I guessed he was trying for Gandalf or perhaps Dumbledore, but I couldn’t be sure it didn’t matter. I only had eyes for Caitlyn, who despite the costume, still looked like the girl I knew from high school, minus the braces.  Suddenly, the sky darkened as the moon moved across the sun. From each aisle ushers dressed as elves passed out glasses. I handed a few pairs to the Matrix duo next to me and kept one last pair for myself. They looked similar to the average eclipse glasses available at the gas station, but these were different. When I put them on, the darkened theater turned into a kaleidoscope of color. The ceremony was about to begin. I could feel it in my bones. A vibration of excitement or perhaps I was finally feeling the effects of the mushrooms.  That’s when I saw her. Out of the corner of my eye. Walking up the aisle past the elf ushers and the other guests, my wife. Olivia.</image:caption>
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      <image:title>Read Entries - Solar Eclipse of the Heart / COIN 2020 - Tayari Jones</image:title>
      <image:caption>I am stupid. My wife is not. This is one of the fundamentals of marriage I should have realized at least twelve years ago. My father tried to warned me, as he, too, had hitched his star to a woman a few rungs ahead of him on the intellectual ladder. He said, “Son, when you marry a woman like that, everything you can think of, she done thought already, and come up with something better.” When I saw Olivia, I smiled remembering my old man, and also that song where the husband and wife go seeking greener pastures and piña coladas and end up with each other. Maybe it was the mushrooms, but I waved at her. Olivia shook her head sternly. You know the term “buzz kill?” That’s what happened. Literally. My buzz was gone. Remember in Pulp Fiction how they un-overdosed that lady with that magic hypodermic? That is exactly what happened when Olivia turned her eyes on me. I was sober as a judge. Olivia gestured to me and I made my way over to what, I guess, was the groom’s side. She patted the space beside her and I plunked down on the pew. “What are you? Twelve?” she hissed. “Aren’t you supposed to be in Santa Fe?” “I lied,” I said with my hands spread. “I knew you were lying, but I wasn’t sure why.” “Well, you lied, too. You didn’t tell me you were coming to Caitlyn’s wedding.” She shook her head like she was talking to a small child. “No. I didn’t say anything at all.” The reception was rather staid. Maybe they ran out of weird after the wedding. Or maybe they did that thing where the bride gets to decide the theme of the wedding, but her parents get to plan the reception for which they so handsomely paid. Who knows. But by the time we all moved to the banquet hall, Caitlyn had been transformed into your average suburban bride. Rayne still looked like a freak, but there was no helping that. I went through the receiving like with Olivia, glad for once that she was there. Caitlyn would introduce me to her husband and I could one up her with Olivia. At least I had married a regular person. But as regular as Olivia seemed, these were irregular circumstances. As we stood waiting for our chance to greet the newlyweds, I asked my wife. “Now, why are you here again?” “It’s a long story,” she said. I looked at all the people standing ahead of us. “Good thing it’s a long line.” “Sammy sent me,” she said. “The prison poet, Sammy whatshisname?” “You know this is why he hates you. Nobody wants to be called ‘the prison poet.’ He phones me all the time and tells me how much he hates the way the paper has been covering him all these years, like he’s a trained bear or something. He’s a person. He prefers to be called Samuel. ‘Sammy’ is what his friends call him.” I couldn’t help but notice that Olivia felt perfectly comfortable calling him Sammy. “So, Sammy, I mean Samuel, told you to come to this wedding?” “He told me that there was something happening here that I should see.” I couldn’t believe it. Sammy had set me up. So I said it. I said, “I can’t believe that Sammy set me up!” Olivia said, “You may find it hard to believe, but this song may not necessarily be about you.”</image:caption>
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      <image:title>Read Entries - Solar Eclipse of the Heart / COIN 2020 - CL Young</image:title>
      <image:caption>As I was trying to understand what she meant, Olivia’s sentence kicked me into a memory I’d never remembered before. It also kicked me back into my trip.  You’re so vain. You probably think this song is about you.  You’re soooooo vain. I bet you think this song is about you.  Don’t you. Don’t you.  I was back at Graceway, looking up at the night sky. The shooting star had just shot. Caitlyn, I’d just thought. The equation of Caitlyn and the star flipped a switch in my brain and there in the raft I had a flash of clarity: the water. Be of the water, I thought. I didn’t want anyone to worry, so instead of standing straight up and diving into the lake, I rolled as slowly and soundlessly as I could off the side of the raft. I barely made a splash and my camp friends didn’t seem ruffled. They must have been deep in their own trips, and soon enough I was breast-stroking my way toward the center of the lake. As I swam, the water took on a life of its own. The texture of it transformed–the sensation of the waves against my skin didn’t register as touch any longer, but as a sort of song.  At the dance earlier that night, Carly Simon’s voice had rung out across the mess hall and it was echoing into me through the water now. And all the girls dreamed that they’d be your partner, they’d be your partner. I’d always felt a little implicated by the song. That second-person “you” slamming into the listener for most of the whole four minutes and 18 seconds. Long before I knew I wanted to be a writer, I began to develop a sensitivity to word use and as the song continued to soak into my skin, I realized for the first time that it really wasn’t about me. None of it. The world, existence. I was nothing. A body ambulating through a gathering of water in the middle of a state at the edge of a country that made itself up. My arms, insignificant as they were, managed to send a signal of fatigue to my tripping adolescent brain and I turned onto my back to rest. The water continued its singing as my gaze returned to the show the stars were putting on. But you gave away the things you loved and one of them was me. I had some dreams. They were clouds in my coffee, clouds in my coffee. The Milky Way was not just visible, it had a pulse. It took up the responsibility of drumming under the melody of the lake. Another star shot across the sky and everything that was to come played in my head at once: losing Caitlyn, marrying Olivia, the envelope, Rayne, Sammy.</image:caption>
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      <image:title>Read Entries - Solar Eclipse of the Heart / COIN 2020 - Alan Heathcock</image:title>
      <image:caption>Then I knew I had to be out of that room, away from people. I was sweating. People were looking at me. I had to think, to clear my head. Something was shifting darkly inside me, my mind not right. Was the psilocybin from the mushrooms just now lacing into my cells? Olivia asked what was wrong, and I said I wasn’t feeling well. I said I’d go to the bathroom, splash some water on my face. She looked disappointed. I was always disappointing her. I didn’t want to disappoint anyone or make anything worse, and pushed down the back hallway and past the bathroom and found the exit and left out into the night. A few people stood smoking in the manicured lawn where the light from the reception hall met the night. They were shadows, flares of fire at their lips. I walked past them and maybe someone said something to me, asking if I needed anything. But what could I tell them? That I needed everything? That I wanted the stars to come inside me as they once had as a teen floating in a lake? That I wanted to be starlight and not at all a man? The darkness became darker under the canopy of the woods. Now there was no sky. Now there was no judgement. I stumbled, feeling my head swell upon its thin fragile neck. My feet were like hooves as I tripped and staggered down through the black boles. The hillside dropped away, the slope steep. The square blocks of my feet slipped from under me and I was sliding down and down. When I stood again, my hands and elbows barked from the fall, I stood in water. A pond, small enough I could see the opposite shore washed in starlight. I waded deeper, feeling the cold pass up my legs and then my crotch and I needed to be under, to cool my head. I swam with my eyes shut, only moving my arms and considering each breath, my lung soon heaving, my arms tiring. I could feel the tug of the pond’s bottom, but I kicked and flailed and then there was mud beneath me and I stood again and fell huffing and gasping upon the shore. It started as a sound, a hum like electrical wires. I knew this must be the sound of my thoughts. That I was electricity. I peered back across the pond and could see the lights from the reception hall atop a hill in the distance. I felt separate from those lights, and knew this was the center of my pain. That I was always separate. Even those who thought they knew me, those who’d said they’d loved me—Caitlyn, Olivia—were hopelessly outside, and I was inside, in the husk of my own private quarantine. The pond water stirred and I flinched into a crouch. A head emerged from the water, then a body. A man rose from the dark water, dripping and approaching. I told myself this was not real. This was the hallucination of my tripped and weary mind. It stood before me, just a shadow. “You’ve been looking for me?” it said. “No.” “I’m Samuel Ortega Lawrence. You can call me Sammy.” Does one speak to their own mind? “Hey, Sammy.” “Possession,” he said. “That’s what you want. That’s what we all want. People call them demons, but a demon is just grief, just lonesomeness, and the despair of separation is what makes them cling to us and us to them. Accept them, and you’ll never be alone.” “No, not that.” His smile was light. “That’s what the serpent wanted for Eve in the garden. To know she’d always be alone. Adam, too, and all of us to follow. But there’s other knowledge the serpent couldn’t touch. Sitting in my prison cell, I ate the fruit of the tree and knew I had a world of love inside my mind that was its own Eden. Claim your Eden, friend.”</image:caption>
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      <image:title>Read Entries - Solar Eclipse of the Heart / COIN 2020 - Joel Wayne</image:title>
      <image:caption>“Shhhh,” I said. “Stop stop stop. Please.” I put my hands over my ears and shut my eyes. Hummed a song from light years ago I couldn’t remember the name of, about water and a deer and the word “panteth.” I thought then of church. Of being a boy and playing quarters in the moldy basement of the defunct hospital in the part of town that always flooded when it rained too much. It was closed now, the upstairs turned into offices—chiropractors, a medium who wore dresses that looked like they were made out of rosemary needles. And our ragtag bride of Christ, stuck downstairs, eating our fruits of the spirit. Laying on of hands. Speaking in tongues, the interpretation of tongues. Ah, yes. “Howwa huzzoo zoozzoo be azzo lock wocka muck do,” I said to Sammy, or the man claiming to be Sammy but was probably a server, popped out the side of the the reception to smoke pot and eff with love-lost losers still pining over a girl they fumbled with in the dark while Peter Gabriel played in the background, not that one but “Shock the Monkey,” for some reason. I was surprised how easily it came back to me. Sammy cocked his head. Ah, yes. He had not, I realized, received that fruit. Neither the interpretation. I’d have to try something else. I pored through other languages I knew. Two years of Polish in college because I was crushed on the girl who sat next to me—actually Polish, like exchange-student Polish—Lynn Golata. Who’d say “shh, there is class,” to me when I’d do so much as offer her a stick of gum.  But I couldn’t remember any Polish. English then, the AP style guide. Bylines may be used only if the journalist was in the datelined location to gather the information reported. I said as much to Sammy but he was studying his nails now. Drat. Music then. Carly Simon! I searched through her catalog before I realized I didn’t know anything besides the one song, and now I couldn’t remember that one. Paul Simon!  “And my traveling companions are ghosts and empty sockets,” I said, or sang. “I’m looking at ghosts and empties. But I’ve reason to believe, we all will be received in Wonderland.” In Wonderland. No, that wasn’t right. New Mexico was the Land of Enchantment. I said as much to Sammy but he’d gone mute, sitting on the water. A bored Jesus.  “And Alabama is the yellowhammer state, and Minnesota’s the north star state, and Wyoming is the equality state, due to their electing the first female to public office,” I said, getting desperate now. There was the shout of broken glass behind me and I turned, startled. Olivia was sitting, legs knocked out from under her, slipping in the mud. Flute of champagne shattered on a rock by her knee. She tried to stand but her flats—modest things, striped bananas of canvas, “$12!” she had beamed and I appreciated—found no purchase. She sat back, lying flat in the mud. Drunk, I thought. Defeated. Heading towards the Big D and don’t mean Dallas.  “What are you doing?” she said to the darkened sky.  “Talking to Sammy. He showed up and accused me of self-sabotage,” I said. “Of opting for  loneliness over knowledge or eternal life.” I pointed to him but he was gone now, replaced by a black ball of granite, nipple of water burbling out of his top. Ah, yes. The shapeshifter, Jesus turned fountain.  “Are you drunk? I think you’re drunk,” she said. “Sammy is still in custody.” I waded to the side of the pond, my shoes sticking in the mud, sucking—sklorp, sklorp—as I sat next to her. “Tell me about it, stud,” I said. “We started writing back and forth. I hadn’t ever done that before, writing to a writer. Besides you, but that doesn’t count,” she said. “Does it?” It had been, she said, his poem about the white and gray horses, coming down out of the hills at night, one getting stuck in the dog kennel outside the shaky farmhouse, boards groaning in the wind. Father running out with his shotgun, thinking it was…what? And watching as the horse kicked the kennel apart and galloped away. But not before father took a single photo, the eyes of the horse like ghosts, like a scared little girl, no thicker than a seesaw. “Like a boy slipping into the water at church camp, jittery from excitement and possibility,” I thought. “He wrote back and what I thought was nothing became, well, not nothing. Like us. You and I nothing and then not nothing. I don’t have any regrets. Not nothing is something.” I felt as if I should be jealous, the boy in me tugging at the sleeve of my rental tux as he watched Elizabeth O’Rourke kissing Tanner “The Tude” Klegal, even though I’d just asked her to the 6th and 7th grader dance and she said “maybe.”  “Tell me more, tell me more, was it love at first sight?” I said. “Don’t be funny, please. Not everything is about you,” she said, though I hadn’t said it was. “This night was supposed to be something for me. Or not me. I don’t know. It was supposed to be about something greater than ourselves, I guess.” She started crying so I did too. Reaching out a hand and setting it on her face, where I felt the tears tickle down my palm. She didn’t pull away. I was glad for that, slipping my other hand into my cummerbund, finger gun in its holster. “There’s still something we need to do,” she said, under my hand.</image:caption>
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      <image:title>Read Entries - Solar Eclipse of the Heart / COIN 2020 - Mitchell S Jackson</image:title>
      <image:caption>She tugged me, and hand-in-hand we climbed the muddy hill and across the grass, both of us bare feet, and soaked. There were still a few people outside drinking, outside talking, outside gazing at a dark lit sky sprinkled with early stars. Some of them gaped at us as if we were a muddied couple headed back into a reception, as if we looked like who and what we were. When we slogged inside the reception, the love of my life—or so I thought—and her new husband were seated at a long table with their wedding party. Fancy crystal plates and slices of cake sat before them. Cailtyn beamed, her smile just as luminous as it was in high school. Men with the neck ties loosened carried drinks to tables. Women sat with their heels kicked off under the table. Kids in suits and dresses darted between the tables. Olivia and I  walked a few paces and stood in the aisle, dripping puddles onto the floor, a spectacle usurping attention, people peering at us over tall flower centerpieces of the round table, around the centerpieces, through them. Their mouths hung open. The talking ceased. Olivia let go of my hand. “Now I know,” she said to me. “Know what?” I said to her. “What Sammy knew. That you’d never be free unless I set you free.” “Go,” she said. “If that’s what you want go get her.” In an aisle steps from Caitlyn,  I thought of Olivia and my wedding day. Of the quaint church we’d chosen, it’s wooden beams, stained glassed windows, velvet strip of carpet running along its nave. Remembered how nervous I was when the wedding photographer got sick and called us an hour after she was supposed to arrive to tell us she wouldn’t make it, how everyone was so nervous, how I sent my brother darting around the church to ask guests if they knew any photographers, how I begged my father to search and search the internet. Be calm, Son. Be calm, he kept saying. But I couldn’t, because I knew, all the while, Olivia was in the basement with her mother, her sisters, her nieces, all of them worrying that her dream day would be ruined, that our day wouldn’t be able to look back on the day an album.  What’s a wedding without pictures?  Then my hero of an uncle tracked down a photographer. You should’ve heard the crowd clapping when she entered the church. Minutes later,  there I stood,  waiting at the altar, beside my best man and the cubby pastor. Stood with my heart pounding and my pulse thrumming and sweat turning my armpits to waterfalls, stood and watched my bride float down the aisle, Olivia’s beautiful face under a veil, but her body so tall, so slender. It seemed like it took a lifetime for her to reach me, for the pastor to lead us through our vows, for him to pronounce us man and wife. That day and days thereafter, it seemed like the greatest day of my life. The best decision I’d ever made—Lord knows I’d made plenty foolish ones—a decision that I was certain was a final one, that would lead to happiness for all my days on earth. Now, here was that Oliva, my once forever girl, ushering me down an aisle into the arms of Caitlyn, sending me to break our vows, to challenge fresh vows, to test the links between love and marriage. One step, then another. They felt unsure, unsteady. Another step and then another, and I felt unmoored, as if I might float up the bright lights up the reception hall, float up to the stars beyond. Caitlyn’s eyes widened when she saw me approaching—the green jewels I remembered. But Rayne seemed unbothered, as if I was just another costumed character from their ceremony. One step and another, I stuttered, stumbled, spindly legs feeling as if they’d fail me if I asked one more stride. But somehow, I made it to the table. By some miracle, I stood before Caitlyn, the woman I’d always loved, even if I’d never known her as a woman. The one who invited me, even though she hadn’t seen me in years. And didn’t that mean she still loved me? And didn’t that mean she wanted me to rescue her? I looked once over my shoulder at Olivia who, tears in her eye, nodded at me. Caitlyn. Dear Caitlyn, I said, and reached out my hand.</image:caption>
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      <image:title>Read Entries - Cambia: A Student Anthology - 2019 - Enjoy the 2019 edition of Cambia, the anthology of the most outstanding work from The Cabin’s Writers in the Schools program.</image:title>
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      <image:title>Read Entries - 2019 theme: FUEL - Google the word “fuel,” and Jacksons, Maverik, and Shell pop up as the first results, followed by off-road wheelers from fueloffroad.com, a band named Fuel, and Thai cooking classes that advertise as “fuel for the soul.” Fuel is power, energy, the stuff that keeps us going. The need for fuel itself has waged wars, encouraged green energy and savings like solar power, and motivated marathon runners to cross finish lines. Is it food? Is it family? A muse, perhaps? What exactly ignites the imagination, accomplishes goals, and gels our creative juices when we’re searching for a boost?</image:title>
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    <loc>https://www.thecabinidaho.org/read/coin-the-story-2019</loc>
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    <lastmod>2022-04-07</lastmod>
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      <image:title>Read Entries - The Perilous Pedal-Pushing Punawha of Peregrine Point / COIN 2019 - Ridley Pearson (Opener)</image:title>
      <image:caption>The day began as any other: sunshine, clean air, and a sky the color of the one-year date-a-versary sapphire ring she wore on her right hand. Her work schedule at the hospital varied, meaning that although a Tuesday, she thought of it as her Saturday. She thought of it as chance to disconnect, to take morning time for herself and then run some errands before cleaning her apartment. Lacing her left bike shoe tightly to accommodate the mild ankle sprain from two weeks earlier, she tugged her ankle sock clear of the shoe while admiring the scars along the sides that interrupted the logo. Don’t call her a street rider; she took to the hills, she bushwhacked on her days off, putting in twenty to thirty miles, climbing and descending a few thousand vertical feet, and winning herself a different awe-inspiring view whenever possible. Her destination was Peregrine Point, a personal challenge that her boyfriend had told her was an unrealistic goal. By the time they’d turned off the lights, both sweating and breathing like they’d run a marathon, they had a ten dollar wager in place that she couldn’t make it up to Peregrine Point. She smiled as she zipped her keys into the pouch behind the bike’s seat; he’d given her a mini multi-tool on a keychain for Christmas, possibly the most useless gift ever, but one that endeared him to her for that very reason. His impression of her brought out things she didn’t know about herself; it was true that she wasn’t afraid to tackle home projects—she had her father to thank for that—but a multi-tool? Really? She already carried a tire repair kit. She rode the mountain bike to the trailhead. This was one of the few differences they had: why he wanted to drive the car to then ride bikes seemed absurd to her. Amusing at first, it had become a sore point between them. Each push of the pedal leant her a sense of superiority having left the car behind. Her breathing calmed; she found a rhythm both internally and to the sound of the bike’s smooth mechanics. These solo rides offered a sense of freedom, a meditative few hours where she could remain in the present and leave home and work and even him, behind.</image:caption>
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      <image:title>Read Entries - The Perilous Pedal-Pushing Punawha of Peregrine Point / COIN 2019 - Brady Udall</image:title>
      <image:caption>It was there, gasping for air, on the narrow mesa, that she saw the rider. Just a silhouette rounding a bend about a quarter mile up, there and gone. This was where she normally stopped for water and a little rest, but as she slowed down she decided: not today. Water and rest could wait until after the next ascent. And she liked having another rider within sight. It gave her motivation. She would overtake him — and she really hoped it was a man — or kill herself trying. She coasted through a short dip, the scenery blurring pleasantly past, grasshoppers zinging into the bushes in front of her, before attacking the next rise. She was just cresting the next ascent, feeling for all the world that not only would she make Peregrine Point today — but make it easily — when she heard the skidding of tires, a short yelp, and then the distinctive sound of body and bike making contact with the ground, again and again. She pushed hard over the rise, and saw a small cloud of dust rising lazily into the air. She rode until she saw a bike tire sticking out of a clump of sagebrush on the slope below her, still spinning, spokes flashing in the sun. Throwing her bike aside, she glissaded down the rocky slope. Brush raked at her arms and legs, but she hardly noticed. She came upon the bike first, then the man, who was laid out on his back next to a cluster or rocks, feet pointing toward her. He lifted his head. “Oh, hey,” he said, almost idly, as if were a friend who’d been waiting for her in a coffee shop and she was a few minutes late. He was covered in dust and nasty scrape painted his forehead. She said the first thing that came to her mind. “Why…why aren’t you wearing a helmet?” He shrugged and gave her a big grin. “I like to live on the edge.” She noticed he was wearing jeans, black boots, and some sort of concert t-shirt. His bike, its back fork folded almost in half, looked like something you’d buy at Wal-Mart. What in the hell. She knelt down next to him, her training kicking in. “Can you tell me where it hurts?” “Oh, everywhere, pretty much,” he said, trying to heave himself into a sitting position. She tried to stop him, but he pushed her hand away and, groaning, he let himself fall back. Looking up at the sky, he said, “I’m fine, really, you can be on your way, lady.” “I’m going to up to my bike to get my phone,” she told him. “You’re hurt. I’ll be right back.” He raised his head and gave her a hard look. “Don’t you go calling anyone. Not a soul.”</image:caption>
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      <image:title>Read Entries - The Perilous Pedal-Pushing Punawha of Peregrine Point / COIN 2019 - Jamie Ford</image:title>
      <image:caption>The tone of his voice, that had seemed helpless and benign, now had been sharpened, topped with her name as a spearpoint. Her boyfriend called her Abby, as did her coworkers at the hospital. Only one person called her Abigail, other than her parents, and he’d been dead for years. She’d watched his body airlifted to a hospital in Durango. “How do you know my name?” She asked as she glanced down at her phone and saw two words that made her feel more alone than she’d been all day: NO SIGNAL. She froze as his eyes, which looked sapphire blue like her ring, turned black. The man sat up, then stood, dusting himself off, his bones creaking, joints popping. “That was quite a ride we had back then, remember?” He smiled and the stranger’s features changed, became something familiar, someone familiar. Abby looked at the setting sun on the horizon, her heart racing, as she wondered if she’d been the one who’d taken a hard spill, flipped over her handlebars, her helmeted head careening off boulders and flatrock. Or perhaps she’d skidded through a patch of spineless cacti, dripping with psychoactive alkaloids — that she was tripping, literally and figuratively. How else could he be here? She hadn’t seen her mentor since grad school, since they’d had a torrid affair the summer before graduation. A summer that ended with his lifeless body lying in the high desert, and Abby lying atop his grave in the rain, an hour after the mourners had left, which had included his wife and family. She’d cried tears of loss and tears of guilt and tears of shame. “Professor Naughton?” Abby asked. She thought about her phone and how she would have signal atop Peregrine Point. She wondered how long it would take at a dead sprint. The thousands of dollars she’d invested in her bike, with carbon and titanium everything, meant nothing now. The man touched the gash on his forehead, regarded the blood on his fingers, then looked back at her nodding. “You left me,” he said. “Remember? You left me for the coyotes and the crows, the catamounts and the mayflies. You left me because you loved your reputation more than you loved me.” “I didn’t…” Abby said, her voice trembling, her heart racing. She replayed that day in her mind, images of smiles, kisses, sweet words and wildflowers, then metal and breaking bone, and her riding frantically for help. She’d tried her best. But by the time she reached the parking lot, someone had already found him, someone with a phone, someone who called for help even though all the Mercy Flight paramedics could do was strap the professor’s lifeless body into a litter and signal for him to be hoisted into the air. He nodded and squinted his black eyes, as though reading her thoughts. He looked into the sky which was darkening, tendrils of crimson and ruddy orange changing into shades of umber and coal. “I remember them taking me away. I remember flying. That was the closest I’d ever get to heaven.” “I was young,” Abby said, slowly backing away as he stood and stepped in her direction. “I thought I was in love. I was reckless and foolish, but I didn’t leave you, I went for help…” “And I found help,” the man said, smiling. “Do you remember the scary stories we used to tell the undergrads? The tales we’d spin by the campfire after the sun went down and the stars came out. How we’d all lie on our backs and listen to the wind?” “But those were just stories,” Abby said. “The pumawha aren’t real.” She felt the tall grass brush her calves, she smelled something burning, like sage, but sweeter. The crickets began chirping, the grasshoppers sang, and then all went silent. That’s when she remembered the name westerners used for desert tricksters. They called them skin-walkers.</image:caption>
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      <image:title>Read Entries - The Perilous Pedal-Pushing Punawha of Peregrine Point / COIN 2019 - Cheryl Maddalena</image:title>
      <image:caption>“Oh no,” breathed Abby. Her skin crawled, flushed with gooseflesh. What she saw before her was not her love of old. It was the evil spirit that had entered his body, vulnerable and unprotected in death on that awful desert slope. “You’re not him,” she said, scrabbling backward up the hillside, loose rocks rolling wildly under her hands. “Why did you track me?” She rushed through her mind, trying to remember anything she could about this spirit monster. The pumawha were shape-shifters, able to mimic human and animal form, and also to inhabit the dead. They chose forms that would give them the advantage they wanted. They were impossibly fast. And she couldn’t remember if they could be killed. “Well, a body has a flavor,” the man-shaped thing licked his lips, “and this one tasted of you. None of the bodies between there and here could satisfy this craving.” Its head tilted, eyes black. “I’ll go back to running wild after this. Nothing else could compare.” “But where is your, your pack?” Abby shouted, desperately scrambling for a distraction that could help her reach her beautiful bike, just twenty feet above their precarious slope. “Your pack leader? Are they back in Arizona? Do they even know you’re here?” Even as Abby retreated up the hill, the skin-walker began to shift. The familiar lines of her beloved, so strangely dressed, began to blur and grey. The wide, friendly features of her old professor elongated, widened, and became canine. At the same time its whole form expanded, grotesque and hulking. It was a coyote, but like none she had ever seen. It was as big as a bear. Just as Abby crawled back onto the dusty yellow trail, now thrown into shadow, the skin-walker howled. Her throat closed as she sighted her bike, homely and familiar beyond belief. It rested on its side, benign as a child’s tricycle. She was flying down the trail before she even realized she’d touched it. She didn’t dare look behind her. She just focused on the trail, the sound of the crunch beneath her rushing tires. When she left pavement for dirt earlier that day, it had felt like a door opening. Cobwebs cleared from her mind, everything became focus and breathing. There was nothing more relaxing than beating the crap out of yourself up a hill. Feeling the fine line between pushing yourself, and throwing up, all to get to the top for that coveted view. This pell-mell descent was a perversion. Like finding a demon at a church’s altar. Another howl followed her down, the same sound but from farther away. She pulled her bike side to side, up and over the rolling trail as it went around the bend. Maybe she could make it. To her car. To help. She bombed down the trail, reckless as she’d ever been. Maybe the thing was just giving her a head start. A predator, playing with its prey. And then she realized that the pumawha might really be taking on the attributes of her old love. Because what is a professor who seeks power over a young student, but a beast who seeks to feed itself? And then she began to form a plan. A way she could survive.</image:caption>
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      <image:title>Read Entries - The Perilous Pedal-Pushing Punawha of Peregrine Point / COIN 2019 - Emily Ruskovich</image:title>
      <image:caption>She rode swiftly, thinking that as soon as she made it to her car, she would go to Laura. Laura would help her; she would know what to do. They hadn’t spoken in years, but Abby was sure that the moment Laura heard her voice, she would set aside her pain and anger, and she would tell Abby what she needed to know. She understood intuitively that escaping the woods was not enough, that whatever was following her would continue to follow her through her life until— Until Laura. Until Laura could halt it in its tracks. It was Laura, after all, who had suffered most all those years ago. Laura whose name had seemed to echo inside the creature’s howl. And, Abby realized now, she had felt Laura’s presence even before she recognized Professor Naughton in the stranger’s face, maybe even before she had seen the stranger at all. Hadn’t Laura been there at the edge of her mind early that morning, when she first started up this path? It was as if Laura had been trying to reach her thoughts for a long time. Several minutes had now passed without a sound from the creature. So she allowed herself to pause in her flight, to stop and listen, to search the air for threats that might be closer. A hot breeze stirred the pines, and the July light jittered on the needles. There was a moment of quiet, of calm, and, for the first time, she allowed herself to wonder — A stranger turned lover turned creature, all before her eyes. What if there were more of them? There was a panic in the leaves then, a panic in the light. Everything around her seemed suddenly deceptive, something other than itself. The deermouse that had skittered along the trail. The stellar jays in the trees. Inside of those harmless creatures — What? More horrible memories. Sinister and thrashing to get out. Memories that could snap awake, alive, with the mere rearrangement of features. Not just the professor. But other people from other times in her life. Other people who had wronged her, or whom she had wronged. She felt them all at once. She felt them in the birds that she could hear, in the insects she couldn’t see. Everywhere. The trail itself seemed to move through her, into her, past her. A little girl she used to taunt — she felt that girl unfurl in a fern. And in the happy screeching of the stellar jays — her brothers, their bright and horrible conniving. Somewhere close by, she couldn’t see it, but she knew: a lizard slept on a rock, but its dreams were those of her poor father, whom she had abandoned slowly and in the most cruel way. And there was her mother in the snowberries; her first love in the trees. The girl from college who had killed herself — there she was now, somewhere close by, the terrified heart of a rabbit. Her boyfriend. She felt him tighten around her finger, the very sapphire suddenly alive with his intentions. And, everywhere, everywhere, even in the rocks themselves, was Laura. It can’t be real. It can’t. But that thought was somehow even worse than what was right before her. And briefly, against all reason, she hoped to hear the howl again, because running from something horrible and real was easier than standing still inside your mind, throwing your own threats all around you. Once more, she was flying down the trail. And and in her periphery were the voices of her life, calling, calling. At any moment, the features of the world would crack. Rocks would crumble and unfold into faces. Trunks would split and soften into smiles. Birdsong into taunts and sunlight into weeping. And the howl — the howl was real! It was there, and it was closer, and it was almost a relief to know exactly what to run from. The professor, the coyote, the bear. And there, ahead of her, the car. She let her bike fall to the pavement. She tripped over it in her panic, skinned her knee, stumbled to the door and unlocked it. She got inside, slammed the door and felt relief in the quiet of the car. She knew where Laura lived. And she turned the key, and began her journey toward her.</image:caption>
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      <image:title>Read Entries - The Perilous Pedal-Pushing Punawha of Peregrine Point / COIN 2019 - Johnny Evison</image:title>
      <image:caption>Wasn’t the return trip always faster? Didn’t it always work that way? So, why was it taking so damn long to get back down the mountain? Switchbacking down the steep grade into the basin, Abby slowed at every corner, yet still her tires protested at each turn, struggling for purchase. For all Abby knew, Laura had relocated years ago. Who knew if she had the same phone number after all these years? And what if — in the unlikely event she was able to reach Laura — her old friend was unable to help her? A cold hand gripped her heart at the thought that she might have to face all this alone.   About four miles down the mountain, Abby finally located a signal, and scrolled through her contacts, one eye on the road. Jesus, when did she collect so many contacts? McMillan, Nadler, Nelson, Lindstrom, Laura. Abby pressed dial, her eyes cycling between the rearview mirror, and the road in front of her. “Hello, Abigail.” It was not the voice of Laura Lindstrom. Not even close. “You know, there’s a little hot spot around mile marker seven,” said Professor Naughton, pleased with himself. “You might have bought yourself a good ten minutes if you’d been paying attention. Not that it would have made a difference.” “Why are you doing this?” she said.  “Why is this happening?” “Oh, make no mistake, Abigail,” said Professor Naughton. “You’re doing this, not me, not anybody else. It was you who contacted me.” “What are you?” “You know what I am.” “Okay,” said Abby. “This is bullshit. You’re just talking in circles. I’m hanging up.” “I wouldn’t do that,” said Professor Naughton. “Yeah, well you’re not me, no matter what you say.” Abby hung up the phone, which began vibrating almost immediately. She picked it up in spite of herself. “I must have lost you there around that last corner,” said Professor Naughton. “No, I hung up.” “Ah, well, anyway,” said Professor Naughton. “I’ve got somebody here who’s really eager to speak to you. You may not recognize her voice right off, that’s because — well, I’ll let her explain it.” There was a brief pause as the phone changed hands. Then a voice. “Abby? Is that you?” Abby stopped breathing.</image:caption>
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      <image:title>Read Entries - The Perilous Pedal-Pushing Punawha of Peregrine Point / COIN 2019 - Elizabeth Gutting</image:title>
      <image:caption>Though it had been years since they’d last spoken, she knew it was Laura. Abby was called back to her early twenties by that pleading inflection — the voice that could only be Laura’s. She thought now of the mornings in Laura’s kitchen, eating croissant crumbs off each other’s plates, Abby’s textbook pushed aside for a later hour. The rowdy dinners with Laura’s young children — Professor Naughton’s children, too, of course. And that final stand-off, in the doorway to Abby and Professor Naughton’s home, when Laura’s expression had hardened and she had told Abby never to come back. She’d shut the door before Abby could offer a word of explanation, or apology. “Laura,” she said. “Thank God. Are you all right?” “So you’re on your way over now, too? I guess I could have warned you this would happen. But something made me wish I was wrong — I wished I was imagining that my dear sweet husband was haunting me from the dead. It started with a cheap mountain bike showing up on my porch every Tuesday morning. Then one day, there he was, balanced on its seat. Anyway, we can talk more in person. I’ll tell you as much as I know, and I’ll leave the rest to him.” “I’ll turn back. I can come another time — I’d love to come another time. I think of you often, I’ve never forgiven myself. I’ll call soon, I promise.” Abby hung up. Her hands trembled against the wheel. She gripped it harder. Her teeth began to chatter. The car was suddenly cold, like when a storm cloud covers the spring sun. She reached the intersection near her home and let herself take a deep breath. One left turn and she’d be there. On the corner, the windows of In-N-Out Burger glowed with fluorescent insistence. Abby watched as a family of four found a table and settled into their seats. How she longed for that sort of easy existence right now — how she longed for a normal day. When she turned back to the road, she saw the light had changed. But her car was veering into the right lane. She turned the wheel with all her might. It was no use — her car began to drive itself. Now blasts of cold air shot out from the car’s vents, even as she turned the dials for the heat.  She banged on the wheel as the car made an easy path down the avenue, weaving in and out of traffic at an unhurried pace. How could this be happening? As she approached another red light, she fought against the wheel one more time. Its resistance was impressive, like arm-wrestling with an ogre. Soon the streets were both familiar and alien to her — the bigleaf maples towered overhead, ten years of new growth shading her car and clouding her memory. The sidewalks were busy with children playing, chasing after each other on scooters and bicycles. For a moment, she thought she might see Laura and Professor Naughton’s children — but then she remembered they’d be grown by now, and would she even recognize them as gangling teenagers? And then the car was pulling into the driveway, which looked as it always had. A bed of zinnias still lined the walkway up to Laura’s house. Abby shivered even as the car turned itself off. She opened the driver’s side door — this, finally, a decision she made for herself. She walked to the door she’d last seen slammed in her face. And for some reason — shame? A throwback to her frequent childhood humiliations? — she twisted the sapphire ring from her finger and slipped it into the back zipper pocket of her bike shorts. She rang the doorbell.</image:caption>
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      <image:title>Read Entries - The Perilous Pedal-Pushing Punawha of Peregrine Point / COIN 2019 - Christian Winn</image:title>
      <image:caption>At first, there was no answer, though there was a low moaning Abby could hear in the faint middle distance behind that door. She put both palms to the red-painted wood, and could feel a humming, and a warmth. She leaned gently into the door, and her whole body felt a generous ease, a comfort, a familiarity and affection. The moan rose and quavered, shivered through her. She closed her eyes and let the door wrap her, hold her, as it seemed to be pressing back into Abby, whispering now. “Abigail,” It was Professor Naughton’s sonorous voice, the low and soothing voice he’d use mornings as they woke and held each other gently, as one . “You’ve made it. We’ve been waiting all these years.” “I know,” Abby whispered back, her eyes still shut, a pulsing joy seeping into her. “I’ve been away so very long.” “Come in,” he whispered, as the door gave way, swinging easy into the front hallway. Abby stumbled a little and pushed back from the door, but the warmth and comfort remained within her. She opened her eyes. Stepped slowly into the hallway, smelling fresh baked bread, coffee, the musk of the Professor’s cologne. Around her everything was the same — the overstuffed couch, the framed antique maps of Madagascar, the Arctic Circle, Patagonia, Sicily. All those places the Professor told her stories of as they sat here in this living room, on this Turkish throw rug, in this same soft amber light, drinking wine, and imagining. All those places he’d said he would one day take her. Everything from all those years ago, it remained. The hutch filled with old pocket watches. The teak and brass barometer. The claw-footed dining room table. The smell of leather and polished wood. “Years, Abigail,” she heard from the kitchen, as the light shifted, brightened into the clear white light of morning. Out the back windows, birdsong emerged, and a light dew carpeted the lawn. “But you’ve finally made it back here. Are you ready for breakfast, love?” Abby looked down, saw she had on her old Converse tennis shoes, and her favorite blue socks with the Cheshire Cat stitched across each ankle. Her mother had given her these socks the day she left for college. Abby felt at her chest where now her years-gone high school sweatshirt now draped. She touched at the white cotton shorts at her hips, reached into the pockets and pulled out a small envelope with three hearts sketched across the front beneath her name and the Professor’s. She thought to open the envelope,  but she already knew what the short neatly-scripted letter would say. That this was it. This was their last morning. That he loved her, he cherished her, but he also loved Laura, and he had to consider the life he’d established, his reputation on campus, the future, the larger scope of who they were in this world. This letter had sat in a drawer by her bedside for many years now. This letter was the only thing she had kept, all this time, and she had read it so many times the stationery was thin and frayed and the envelope wrinkled, smudged with oil. “What’s taking you so long, little one?” the Professor said in that coy voice that always made Abby smile and touch her face with a kind of wonder. She walked toward the kitchen, saying, “It’s that morning, isn’t it? The last morning.” The Professor stood at the counter in his blue robe and fleece-lined slippers. His dark, just-grey hair mussed just the way she always liked to see it. He poured her a cup of coffee, stepping towards Abby, nodding. “Yes,” he said, smiling, handing over the cup. “You haven’t killed me yet.” “All that’s coming,” she said, holding the cup with both hands, feeling that same warmth as before and a slow joy in knowing what would  happen. “I was thinking,” he said. “I was thinking we should go out to the desert today. It’s so lovely this time of year.” “What about Laura? I thought…” “Laura won’t be home until tonight,” he said. “Besides, this is your day. You finally get to take something back.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1592179049707-PQE08Z6EFVD9RKD4DART/image-asset.jpeg</image:loc>
      <image:title>Read Entries - The Perilous Pedal-Pushing Punawha of Peregrine Point / COIN 2019 - Kim Cross</image:title>
      <image:caption>And just like that, they were on the trail, carving their way through the desert scrub, the late-fall sun warming the back of Abby’s neck on either side of her braid. She’d stopped wearing her hair like that after college, worried it made her look young. The weight of it on her back made her heart ache for the woman she was back then. Ribbons of heat rose from the ochre sand, just as she remembered. Abby looked down and found herself pedaling the sky-blue hard-tail she’d ridden that day for the very last time. The brakes still squealed on the downhills. The derailleur still skipped when she down-shifted. Just as she remembered. Ahead of her, leading the way as always, the Professor rode his famous bike. A 1977 Breezer older than she was. It looked exactly as she remembered, too, except for one startling thing: It was white. All white. The frame. The tires. Even the chain. Albino white, as if it had been converted to grayscale in Photoshop. On it, the Professor rode in full color. “Look there,” said the Professor, nodding up at the horizon. “Peregrine Point. Abby squinted up at the peak, the tallest on the jagged ridgeline. It seemed like it might snag the cirrus clouds feathered against a sapphire sky. “I’d love to take you there one day,” he said over his shoulder. One day. One day. One day. The future was always one day away. In sight, but too far to reach today. Like Peregrine Point. The sight of it made Abby’s heart ache with hope. She imagined the day she’d be strong enough to reach it. But that day, they had chosen another trail. Occam’s Razor was not a beginner trail. A sinuous ribbon of singletrack, it traced the folds of a hillside as steep as a black-diamond ski slope. Abby trained her eyes on the trail ahead, just over Professor Naughton’s shoulder. She fought the urge to look down and right, where the hillside fell off precipitously. Somewhere below, too far to see was the rocky streambed of Coyote Gulch. As the trail intersected with Falcon Ridge, the Professor turned right, starting the steep descent down Occam’s Razor. But Abby’s bike went left. She fought it, but the same force that commandeered her steering wheel was now pulling her up, up, up along Falcon Ridge. Up toward Peregrine Point. Abby’s heart rate spiked. The autumn sun fell fast. She didn’t have food, or a jacket, or a light. Her water bottle was nearly empty. And yet, she couldn’t stop climbing. The pitch steepened. Her legs burned. She was alone, climbing into a deepening sky. Time melts away in the pain cave. At a certain point, the pain grows dull and familiar, a trusted companion that will never abandon you. “Learning to suffer is a skill,” her father had told Abby before he died. “Learn to be uncomfortable.” She embraced it, now, leaning into the pain that had shifted from her body to her heart. She thought of the pain she had inflicted on Laura, the guilt she had carried, buried like a stone in a backpack, for years. Now each each pedal stroke was a penance, carrying her ever closer to the place where she knew, even before seeing it, she could look down upon the backs of raptors and things would finally make sense. The sky was bleeding with sunset as the last rise came into view. It was steep — the steepest and rockiest pitch of the trail — and Abby’s legs felt like lead. She stood on the pedals and hammered. Then — snap! — the chain broke, the pedals went slack beneath her. She threw her bike and felt herself tumbling backwards, rag-dolling toward the precipitous cliff she had ridden by seconds before. She heard a crunch of bone, felt a sharp pain in her shoulder. This is it, she thought, in a moment of preternatural calm. I’m going to die in the gulch. Just like him. As she braced herself for the free-fall, she thudded something that arrested her fall. She heard a shrill yelp, felt fur against her sweaty skin. The obstacle moved, and she was looking into the glistening black eyes of a coyote. The world faded to black.   She awoke to the thunder of helicopter blades and a blast of wind. Fading in and out of consciousness, she felt herself packaged, lifted, and carried by shadows with steady voices. “Why weren’t you wearing a helmet?” one of the shadows said. “I…I was…” she murmured, dazed and disoriented. “It must have come off in the crash.” The next day, in the hospital, her boyfriend, more relieved than angry, chided her gently about going for Peregrine Point. “What were you thinking?” he said, smiling down at her. “I don’t remember,” she said. “The paramedics asked me to give you these,” he said, handing her a plastic bag filled with her broken helmet, glasses, and torn bike clothes they had cut away in the ER. Through the thin plastic, she saw it and froze: A broken white bicycle chain.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/2018-annual-report</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-07</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/cambia-a-student-anthology-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596729883115-JA0OQAJLZAODUFVDF5QU/Cambia+2018+Cover+10+half.png</image:loc>
      <image:title>Read Entries - Cambia: A Student Anthology - 2018 - Enjoy the 2018 edition of Cambia, the anthology of the most outstanding work from The Cabin’s Writers in the Schools program.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2018-theme-song</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596169658792-PY7CMJORSJD5MNM7BWVI/2017+-+SONG+cover.jpg</image:loc>
      <image:title>Read Entries - 2018 theme: SONG - We sing in the shower. We hum in the rain. We serenade our pets and family members while cooking dinner, or cleaning house, or driving cross-country. Soundtracks trigger the waterworks and signal goosebumps at the movie theater. Many of us have personal theme songs, favorite love songs — we use music to pump ourselves up and to calm ourselves down. We tell stories orally and often through song: to celebrate and to protest and to praise! Dear Songbirds, Warble a story that contains some element of the magic of music. Feel free to channel Beyoncé or croon off-key.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/2017-annual-report</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-07</lastmod>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/cambia-a-student-anthology-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596731301564-WC7M3MLTK1KM8WWQ6T1I/Cambia+16-17+Cover+HALF.jpg</image:loc>
      <image:title>Read Entries - Cambia: A Student Anthology - 2017 - Enjoy the 2017 edition of Cambia, the anthology of the most outstanding work from The Cabin’s Writers in the Schools program.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2017-theme-game</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596140968123-5QKB0YULVFCD50DV7VRQ/2017+-+GAME+cover.jpg</image:loc>
      <image:title>Read Entries - 2017 theme: GAME - Game on. Chess, checkers, cards, poker, gambling—or a rival, perhaps? How about a mind game? Rainy pastimes, brain teasers, fierce competition, or a friendly bet. It’s just a game, right? To be willing, to be spirited, to be game. The hunt is on, and we want to know…ARE YOU GAME?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2016-water</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596820533610-QGI9JY6T5N113L4QQW7G/16+WITA+cover+Water.jpg</image:loc>
      <image:title>Read Entries - 2016 theme: WATER - A simple chemical compound, H2O, water is life giving and life sustaining – water makes up our oceans, rivers, glaciers and fills our wells. It takes the form of ice, snow and steam and exists as fog, rain and clouds. It is home to thousands of creatures, miniscule to massive. It can be catastrophic – water sinks ships, drowns, causes storms of the century – or it can put out a raging fire, quench a drought-stricken landscape and save a dehydrated herd from death in the desert. It can be the dew on the grass, a cool drink that provides relief on a hot day or the cubes that clink around in a cocktail glass at a holiday party. Water can be the barrier for reaching a destination or the only way to get there. The parting of the Red Sea, Homer’s Odyssey, Moby Dick – tell us about WATER.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2015-theme-animal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596079727534-35QYY2L86WR3KPM4K583/2015%2B-%2BANIMAL%2Bcover%2B%2528front%2529.jpg</image:loc>
      <image:title>Read Entries - 2015 theme: ANIMAL</image:title>
      <image:caption>An animal — a mammal – a sentient creature distinct from a mineral or a plant. An animal – any such living thing other than a human being. But, wait, there is an animal in every human being –it’s the carnal, physical or sensual part of the self. A tiger – a wild, untamed beast; A Guinea pig – a harmless, squeaky, stinky pet; Your former neighbor —  a womanizer, a squirrel poacher, a brutish backyard grill master; all animals. Four-footed, two-footed, a flock, a herd…or a lone wolf – tell us about an animal.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2014-nerve</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596146144508-MJ7JJMA5TXT9DH1LRY6Y/2014+-+NERVE+cover+half+.jpg</image:loc>
      <image:title>Read Entries - 2014 theme: NERVE - You have a lot of nerve! Within your brain, spine, your body, networks of fibers transmit impulses, motion and feeling. Sometimes, too, you hit a raw nerve, suffer an attack of nerves or lose your nerve. Nerves are networks for information, physical, digital and social. Nerves are the veins in a leaf or an insect’s wing. Nerves represent guts and bravado; you need them to take the plunge or to offend with impudence.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2013-theme-detour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596170703650-AVPKYBO78LSUTUEVL3CJ/2013+-+DETOUR+cover+%28front%29.jpg</image:loc>
      <image:title>Read Entries - 2013 theme: DETOUR - The main route is closed, plans have changed, there are unanticipated events and unreadable signs, backtracks, road blocks – which path do you take? Sometimes we have to deviate from a direct course, are forced, or choose, to take a circuitous or roundabout way. Tell us a story about a detour.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/wita-2012-theme-rooms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/1596170424242-PKOOVAR3RIV2IUY4M2L9/2012+-+ROOMS_Page_001.jpg</image:loc>
      <image:title>Read Entries - 2012 theme: ROOMS - Tell us about a room. Real or imagined, even the basic definition of “room” is left open to your creative interpretation.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/category/Writers+in+the+Schools</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/category/Annual+Report</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/category/Cambia</loc>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/read/category/Writers+in+the+Attic</loc>
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  </url>
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    <loc>https://www.thecabinidaho.org/read/category/Writers+at+Home</loc>
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  </url>
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    <loc>https://www.thecabinidaho.org/read/tag/April+2020</loc>
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    <lastmod>2020-06-24</lastmod>
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    <lastmod>2020-06-24</lastmod>
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    <lastmod>2020-06-24</lastmod>
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    <lastmod>2020-06-24</lastmod>
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    <lastmod>2020-06-24</lastmod>
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    <lastmod>2020-06-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/a5f55063-fdd9-4350-a5cb-cede19b6d757/Lectures.png</image:loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e5c4de7eb83b746b64df693/5446ce2f-a68a-4549-b174-f4bb9c8b9552/Camp.png</image:loc>
      <image:title>Our Programs</image:title>
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    <image:image>
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  <url>
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    <lastmod>2023-05-16</lastmod>
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      <image:caption>Our summer writing camps offer experience-based writing programs for kids both interested and skeptical in grades 3-9.</image:caption>
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      <image:caption>Stop by a drop-in workshop or go deeper by signing up for one of our six-week (fiction, memoir, poetry, screenwriting, etc.) workshops!</image:caption>
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    <image:image>
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      <image:title>Events - Readings, Lectures, and More</image:title>
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      <image:title>Summer Camps for Kids</image:title>
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      <image:title>Summer Camps for Kids</image:title>
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  <url>
    <loc>https://www.thecabinidaho.org/summer-camps-for-kids/3rd-grade</loc>
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    <lastmod>2021-03-12</lastmod>
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    <lastmod>2026-02-19</lastmod>
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  </url>
  <url>
    <loc>https://www.thecabinidaho.org/attend/readings-lectures-and-more</loc>
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    <lastmod>2026-01-22</lastmod>
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    <loc>https://www.thecabinidaho.org/contact/faqs</loc>
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    <loc>https://www.thecabinidaho.org/reference</loc>
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    <lastmod>2020-07-14</lastmod>
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  <url>
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    <loc>https://www.thecabinidaho.org/summer-camps-for-kids/4th-grade</loc>
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    <lastmod>2025-02-27</lastmod>
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    <lastmod>2024-10-23</lastmod>
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      <image:title>Collections - Cambia: A Student Anthology</image:title>
      <image:caption>A publication that grows out of our Writers in the Schools program, Cambia features stories and poems written by students and youth from area schools and juvenile detention centers.</image:caption>
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      <image:title>Collections - Writers in the Attic Anthology</image:title>
      <image:caption>An annual contest and anthology, The Cabin’s Writers in the Attic (WITA) offers an opportunity for writers to publish work related to a one-word theme. Past years’ themes have included fuel, song, game, and nerve.</image:caption>
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      <image:title>Collections</image:title>
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      <image:title>Collections - Annual Reports</image:title>
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  </url>
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    <lastmod>2020-08-10</lastmod>
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    <priority>0.75</priority>
    <lastmod>2020-06-24</lastmod>
  </url>
  <url>
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    <lastmod>2022-04-07</lastmod>
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  <url>
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    <lastmod>2020-08-10</lastmod>
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  <url>
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    <lastmod>2020-08-10</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/summer-camps-for-kids/5th-grade</loc>
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    <lastmod>2025-02-27</lastmod>
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  <url>
    <loc>https://www.thecabinidaho.org/summer-camps-for-kids/6th-grade</loc>
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    <lastmod>2025-02-27</lastmod>
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    <lastmod>2025-04-03</lastmod>
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      <image:title>Writers in the Schools</image:title>
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